{"title":"两个朋友的成就&命名仪式","authors":"P. Das","doi":"10.46623/tt/2021.15.2.tr1","DOIUrl":null,"url":null,"abstract":"child’s innocence. The pleasure of translating changes into high seriousness when translation shifts from words to the sense and essence. The translation from Odia into English is difficult because of the absence of one to one correspondence between the two languages. The two stories translated here are from the collection Kathuria ‘O’ Budha Saguna (The Woodcutter and Old Vulture) originally written by Madhabananda Panda. The stories namely “Dui Bandhunka Karamati” “the Achievements of Two Friends” and “Namakarana” (“Naming Ceremony”) show the cultural and ritualistic practices in Odisha. My decision to translate these stories into English is backed by an intention that the non-Odia readers will have a sense and awareness of the cultural trends as well as the literary practices in Odisha. They will also know","PeriodicalId":410199,"journal":{"name":"Translation Today","volume":"118 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Achievement of Two Friends & Naming Ceremony\",\"authors\":\"P. Das\",\"doi\":\"10.46623/tt/2021.15.2.tr1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"child’s innocence. The pleasure of translating changes into high seriousness when translation shifts from words to the sense and essence. The translation from Odia into English is difficult because of the absence of one to one correspondence between the two languages. The two stories translated here are from the collection Kathuria ‘O’ Budha Saguna (The Woodcutter and Old Vulture) originally written by Madhabananda Panda. The stories namely “Dui Bandhunka Karamati” “the Achievements of Two Friends” and “Namakarana” (“Naming Ceremony”) show the cultural and ritualistic practices in Odisha. My decision to translate these stories into English is backed by an intention that the non-Odia readers will have a sense and awareness of the cultural trends as well as the literary practices in Odisha. They will also know\",\"PeriodicalId\":410199,\"journal\":{\"name\":\"Translation Today\",\"volume\":\"118 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-02-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Translation Today\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.46623/tt/2021.15.2.tr1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Translation Today","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.46623/tt/2021.15.2.tr1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
孩子的纯真。当翻译从文字转向意义和本质时,翻译的乐趣就变成了高度的严肃。从奥迪亚语翻译成英语很困难,因为两种语言之间没有一对一的对应关系。这里翻译的两个故事来自于Madhabananda Panda的《伐木人和老秃鹫》(Kathuria ' O ' Budha Saguna)合集。“Dui Bandhunka Karamati”、“两个朋友的成就”和“Namakarana”(“命名仪式”)的故事展示了奥里萨邦的文化和仪式习俗。我之所以决定将这些故事翻译成英文,是因为我想让非奥里萨邦的读者对奥里萨邦的文化趋势和文学实践有所了解。他们也会知道
child’s innocence. The pleasure of translating changes into high seriousness when translation shifts from words to the sense and essence. The translation from Odia into English is difficult because of the absence of one to one correspondence between the two languages. The two stories translated here are from the collection Kathuria ‘O’ Budha Saguna (The Woodcutter and Old Vulture) originally written by Madhabananda Panda. The stories namely “Dui Bandhunka Karamati” “the Achievements of Two Friends” and “Namakarana” (“Naming Ceremony”) show the cultural and ritualistic practices in Odisha. My decision to translate these stories into English is backed by an intention that the non-Odia readers will have a sense and awareness of the cultural trends as well as the literary practices in Odisha. They will also know