墨索里尼在日本:法西斯主义时代的日本代表

M. Monserrati
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引用次数: 0

摘要

在第二章中,重点是法西斯时期日本的旅行文学,特别关注1937年11月6日意大利、德国和日本签订《反共产国际条约》前后日本表现方式的转变。这一历史事件是分水岭,将本章分为两部分。在《反共条约》被批准之前,意大利文化至上意识所影响的民族主义态度决定了进入东亚国家的意大利作家的态度。这一章的后半部分追溯了墨索里尼试图重塑日本在意大利公众舆论中的形象。在宣传之外,本章呼吁对这一文学作品进行更细致入微的评估。Pietro Silvio Rivetta就是一个例子,他抓住了军事联盟的机会,加强了他长期以来向意大利介绍日本文化的文化项目。另一个例子是Arundel Del Re,他的生活跨越国家和大陆,使他暴露在他的世界主义身份的陷阱中,但也在他身上产生了一种归属感,从东方到西方,超越了国界的限制。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mussolini in Japan: Japanese Representations in the Age of Fascism
In chapter 2, the focus is on travel literature on Japan during the Fascist period, with specific attention to the shift in the mode of representing Japan before and after the Anti-Comintern Pact between Italy, Germany and Japan of November 6, 1937. This historical event is the watershed moment that serves to separate the chapter in two sections. Before the ratification of the anti-communist pact, a nationalistic approach informed by a sense of Italian cultural supremacy defined the attitude of Italians writers who landed in the East Asian country. The chapter’s second half traces Mussolini’s attempts to reshape the image of Japan in Italian public opinion. Beyond the propaganda, the chapter calls for a more nuanced assessment of this literary production. One example is offered by Pietro Silvio Rivetta, who seized the opportunity presented by the military alliance to reinforce his longstanding cultural project of introducing Japanese culture to Italy. Another example, is suggested by the case of Arundel Del Re, whose life spent across countries and continents exposed him to the pitfalls of his cosmopolitan identity, but also generated in him a sense of belonging, from East to West, that transcend the limits posed by national borders.
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