伊朗的躯体美学文化观:德黑兰的躯体美学表演作为文化实践

A. Fakhrkonandeh
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引用次数: 0

摘要

在对伊朗文化的研究中,令人好奇的是,尚未被充分探索的关键维度是身体。本文的焦点是伊朗城市空间中的当代伊朗身体。它探讨了当代身体感知模式的谱系,以及心灵与身体之间的关系,并结合伊朗城市空间中身体美学实践的可能性,试图超越当代伊朗盛行的二元文化范式:(1)西式消费主义和身体商品化,(2)身体作为意识形态和宗教目的空间的工具化。这项研究不仅是第一次对上述问题进行更广泛的探索,而且是在认知-情感模型-躯体美学的前提下进行的,这是一个同时具有症状学,行为学和改善性的模型。以德黑兰为中心,我将试图确定像德黑兰这样的伊朗城市在多大程度上允许具体化的公民主体进行身体审美干预。接下来我将进入文章的核心:2015年我们在伊朗进行的躯体美学实践表演。最终目标是提出一种实用主义模式,与伊朗文化有关,将审美-伦理告知的文化实践和(公民)自我的情感-认知概念作为一个过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Towards a Somaesthetic Conception of Culture in Iran: Somaesthetic Performance as Cultural Praxis in Tehran
In studies of Iranian culture, the crucial dimension which curiously remains underexplored is the body. The focal point of this article is the contemporary Iranian body in the Iranian urban space. It probes both the genealogy of the contemporary patterns of the perceptions of the body and of the relationship between mind and body in conjunction with the possibilities for somaesthetic practices in Iranian urban space in an attempt to move beyond the binary cultural paradigms prevailing in contemporary Iran: (1) Western-style consumerism and commodification of the body, and (2) the instrumentalization of the body as a space for ideological and religious purposes. This study is the first not only to undertake the exploration of the foregoing issues more generally, but also to conduct it premised on a cognitive-affective model - somaesthetics - which is at once symptomatological, praxiological and ameliorative. Focusing on Tehran, I shall seek to determine to what extent such an Iranian city as Tehran allows for somaesthetic interventions by the embodied citizen-subject. I shall then proceed to the crux of the essay: the somaesthetic practice-performance we conducted in Iran in 2015. The ultimate aim is to propose a pragmatic model, in relation to Iranian culture, for aesthetic-ethically informed cultural practices and affective-cognitive conception of (civic) selfhood as a process.
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