作为实践的信号处理:混合小提琴的感觉运动动力学的试错修正

S. Thorn
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引用次数: 1

摘要

本文描述了由作者开发和演奏的“混合小提琴”的演变,并反映了其感觉运动动力学作为实时数字信号处理的显著特征的发展过程。这款混合小提琴由硬件和软件组成,包括原声小提琴、麦克风、定制传感器手套(alto.glove)和定制的人体工程学肩托,肩托内嵌有用于触觉反馈和数字音频输出的音圈。通过设计师的试错修正,感官前馈和反馈路径被有效地对称,从而将认知的“行动”方法作为一种创造性实践:感知驱动行动,行动驱动感知。混合小提琴催化了即兴表演,因为它对所有手势都有反应,并且没有嵌入对表达意图的假设。该系统允许实验小提琴技术,通过持续和密集地跟踪手势和听觉输入。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Signal Processing as Practice: Trial-and-Error Revision of the Sensorimotor Dynamics of a Hybrid Violin
This paper describes the evolution of a "hybrid violin" developed and played by the author and reflects on the process of developing its sensorimotor dynamics as a salient affordance of real-time digital signal processing. The hybrid violin consists of a technical ensemble of hardware and software elements, including an acoustic violin, microphone, custom sensor glove (alto.glove), and customized ergonomic shoulder rest embedded with voice coils for haptic feedback coupled to digital audio output. Through trial-and-error revision by the designer, sensory feedforward and feedback paths are effectively symmetrized, thereby engaging the claim of the "enactive" approach to cognition as a creative practice: perception drives action and action drives perception. The hybrid violin catalyzes improvised performance insofar as it is responsive to all gesture and embeds no assumptions about expressive intention. The system allows for experimentation with violin technique by continuously and intensively tracking gestural and auditory inputs.
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