{"title":"“未受损害的记忆主宰一切”","authors":"C. Lamont","doi":"10.3366/edinburgh/9781474443272.003.0004","DOIUrl":null,"url":null,"abstract":"This chapter examines the cultural afterlife of the Scottish Enlightenment, which was laid out in more detail in chapter 2. Beginning with a study of Tobias Smollett’s cultural memory, the frame widens and the question of how well Glasgow’s Enlightenment has been remembered is considered. To do this, theories of memory studies are used to underpin readings of paintings, buildings, institutions, and statues.","PeriodicalId":278022,"journal":{"name":"The Cultural Memory of Georgian Glasgow","volume":"43 2","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-01-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘Unimpaired remembrance reigns’\",\"authors\":\"C. Lamont\",\"doi\":\"10.3366/edinburgh/9781474443272.003.0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter examines the cultural afterlife of the Scottish Enlightenment, which was laid out in more detail in chapter 2. Beginning with a study of Tobias Smollett’s cultural memory, the frame widens and the question of how well Glasgow’s Enlightenment has been remembered is considered. To do this, theories of memory studies are used to underpin readings of paintings, buildings, institutions, and statues.\",\"PeriodicalId\":278022,\"journal\":{\"name\":\"The Cultural Memory of Georgian Glasgow\",\"volume\":\"43 2\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-01-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Cultural Memory of Georgian Glasgow\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474443272.003.0004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Cultural Memory of Georgian Glasgow","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474443272.003.0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter examines the cultural afterlife of the Scottish Enlightenment, which was laid out in more detail in chapter 2. Beginning with a study of Tobias Smollett’s cultural memory, the frame widens and the question of how well Glasgow’s Enlightenment has been remembered is considered. To do this, theories of memory studies are used to underpin readings of paintings, buildings, institutions, and statues.