通过音乐的游戏了解印尼的家庭暴力:一个关于伤口的故事

K@ta Pub Date : 2021-12-20 DOI:10.9744/kata.23.2.77-85
M. Meilinda
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引用次数: 0

摘要

在印度尼西亚,家庭暴力案件占针对妇女暴力案件的50%。这种情况分析起来很有趣。与女性社会地位不平等有关的犯罪数量不断上升,这一定是有原因的。我们可以通过戏剧来思考这个问题。它是一件艺术作品,可以用来讨论和激发必要的社会变革或社会议程。因此,我想通过对Jessie Monika的戏剧《A Story of Wounds》的文本分析方法,找到这种不平等背后的原因,从而找到ASoW所描绘的家庭暴力的核心问题。我利用布迪厄的资本、习惯和场域理论来证明,妻子和丈夫之间的不平等,根深蒂固的父权制价值观造成了权力的不平衡,为针对女性的家庭暴力提供了机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Understanding Domestic Violence in Indonesia Through a Play-with-music: A Story of Wounds
The number of domestic violence is 50% out of violence against woman cases in Indonesia. This condition is intriguing to analyse. There must be a reason behind rising number of crimes related to inequality of women position in the society. One of the ways that can be used to reflect on this subject is through theatre. It is a work of art that can be used to discuss and inspire a necessary social change or social agenda. Therefore, applying textual analysis method on A Story of Wounds, a play by Jessie Monika, I would like to find the reasons behind that inequality to find the core problem of domestic violence as portrayed in ASoW. I utilize Bourdieu’s capital, habitus and field theory to prove that inequality between the wife and the husband, the deeply rooted patriarchy values create imbalance power that open opportunity for domestic violence toward women.   
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