后记

Travis D. Stimeling
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引用次数: 0

摘要

后记简要地考虑了纳什维尔之声时代的唱片业对这个城市的影响,这个城市不仅是乡村音乐的主要生产中心,而且是20世纪末和21世纪初各种商业流行音乐的主要生产中心。这些影响不仅体现在新一代的会议音乐家从纳什维尔的老兵手中接过了指挥权,还体现在其他新兴的乡村音乐场景——以及与所谓的“非法乡村”运动有关的艺术家们——努力将自己与纳什维尔音乐产业区分开来。本章最后讨论了在流行音乐研究中更广泛地与会议音乐家进行有意义的接触的价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Afterword
The Afterword briefly considers the impacts of the Nashville Sound era’s recording industry on the city’s role as a major center for the production of not only country music, but a wide range of commercial popular musics, in the late twentieth and early twenty-first centuries. These impacts were felt not only as new generations of session musicians took the reins from the Nashville veterans, but as other emergent country music scenes—as well as the artists associated with the so-called “Outlaw country” movement—worked to distinguish themselves from the Nashville music industry. This chapter closes with a discussion of the value of engaging meaningfully with session musicians in the study of popular music, more generally.
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