“看到事物的是心灵”:查尔斯·里德《亡羊补牢,犹未晚》中作为社会改革的灵活认识论

K. Pond
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摘要

虽然查尔斯·里德是他那个时代最受欢迎的小说家之一,但他却走上了许多其他作家的道路,这些作家的批评地位因依赖情节剧和煽情主义而受到损害。里德1856年的小说《亡蛇补牢》让他声名鹊起,这部小说受到的关注有限,但评论家们倾向于忽略澳大利亚的情节,而倾向于监狱情节中包含的进步的社会批判。本文论证了作为里德对认识论确定性批判场所的澳大利亚情节的叙事力量和意义。首先,我看一下19世纪的认识论是如何与帝国和成长小说联系在一起的。其次,我考察了鲁滨逊和乔治的认识论对比,并追溯了鲁滨逊灵活的认识论是如何与他的转变联系在一起的。最后,我强调了小说结尾的一系列逆转,这些逆转修改了成长小说进步的基础,并挑战了英语观念的僵化。本文将里德的小说定位为维多利亚时代认识论观点复杂性的一个重要例子。里德对成长小说的修正是其叙事风格的重要美学组成部分,也是其社会改革的重要组成部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“’Tis the Mind That Sees Things”: Flexible Epistemology as Social Reform in Charles Reade’s It Is Never Too Late to Mend
abstract:Although Charles Reade was one of the most popular novelists of his day, he has gone the way of many other writers whose critical standing suffered because of their reliance on melodrama and sensationalism. His 1856 novel, It Is Never Too Late to Mend, which propelled Reade to fame, has received some limited attention, but critics tend to ignore the Australia plot in favor of the progressive social critique contained in the prison plot. This essay argues for the narrative power and significance of the Australia plot as the site of Reade’s critique of epistemological certainty. First, I look at how nineteenth-century epistemology was connected to empire and the bildungsroman. Second, I examine the contrasting epistemologies of Robinson and George and trace how Robinson’s flexible epistemology is connected to his transformation. Finally, I highlight a series of reversals at the novel’s conclusion that revise the basis for progress in the bildungsroman and challenge the inflexibility of English perception. This essay positions Reade’s novel as an important example of the complexity of Victorian epistemological perspectives. It also identifies Reade’s revisions to the bildungsroman as an important aesthetic component of his narrative style and key part of his social reform.
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