巴特的神话“光性”

Jean-michel Rabaté
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引用次数: 0

摘要

摘要:关于巴特的形象符号学,人们通常认为,后来的发展旨在确立一种指称物的本体论,完全颠覆了最初对神话建构性的分析。然而,通过观察巴尔特《神话》的新译本,人们可以看到,这些批判性的小插曲展示了一种图像理论,这种理论部分地预测了后来在《相机Lucida》中阐述的关于点状点的沉思。因此,神话中最初的“光发”概念可以被视为向后来的本体论提供了一个过渡。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Barthes's Mythological "Photogeny"
Abstract:What is commonly said about Barthes's semiology of the image is that the later developments, aiming at positing an ontology of the referent, reversed completely the initial analyses of the constructedness of myth. However, by looking at the new translation of Barthes's Mythologies, one can see that these critical vignettes exhibit a theory of the image that partly anticipates the later meditations on the punctum elaborated in Camera Lucida. Thus, the original concept of "photogeny" deployed in Mythologies can be seen as providing a transition to the later ontology.
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