泰特-泰勒的电影《帮助》(2011 年)中斯基特的主体地位:斯拉沃伊-日泽克的主体化研究

Nor Holis, Aprinus Salam
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引用次数: 1

摘要

斯拉沃伊Žižek通过真实的概念引入主体的定义。他用拉康的精神分析三角来描述它。达到真实的过程导致主体做一些可以脱离象征的事情。因此,主体的位置可以在这个阶段确定。这种题材在2011年的电影《相助》中就有体现。它由斯基特代表。她试图从象征秩序中解脱出来,获得真实。在她走向真实的过程中,由于她的教育背景、她的思想、她的良心,她无法完全从象征中解脱出来。因此,不能根据过程将斯基特定义为激进主体。尽管如此,她试图从象征中解脱出来的努力从未成功。这是因为她做任何事情都是考虑周全的。事实上,她只是进入了新的象征秩序。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Posisi Subjek Tokoh Skeeter dalam Filem The Help (2011) Karya Tate Taylor: Kajian Subjektivasi Slavoj Žižek
Slavoj Žižek introduces definition of subject through the concept of The Real. He decribes it use the Lacan’s psychoanalys triagle. The process of reaching The Real causes the subject to do something that can be out of the symbolic. Therefore, the position of subject could be decided at this stage. This kind of subject is seen in The Help (2011) film. It is represented by Skeeter. She tries to out from the symbolic order to get the real. In her process to reach the real, she is unable to release herself from the symbolic completely because of her educational background, her thought, and her conscience. Therefore, Skeeter could not be defined as the radical subject based on the process. Still, her effort in order to out from the symbolic is never succeeded. It is because she always does everything with full consideration. In fact, she only moves to the new symbolic order.
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