{"title":"马维尔和议会","authors":"P. Seaward","doi":"10.1093/OXFORDHB/9780198736400.013.5","DOIUrl":null,"url":null,"abstract":"Andrew Marvell represented Hull in Parliament for more than eighteen years. The record of his actual activity in Parliament is slight, and his political importance can, as a result, seem slight, at least compared to his significance as a satirist. Yet as well as his well-documented behind-the-scenes activity on behalf of Hull, Marvell’s parliamentary record can be interpreted as that of a very important fixer and strategist on behalf of the ‘Presbyterians’ in the Commons, a group which he did much to define and possibly also to call into existence. Analysis of Marvell’s ‘Last Instructions to a Painter’ suggests that it may be not just a polemical and satirical description of a debate, but also intended as a means of rallying some of the disparate elements of an opposition to the court. It, and Marvell’s other political writings, emphasize how central Parliament was to his thought.","PeriodicalId":226629,"journal":{"name":"The Oxford Handbook of Andrew Marvell","volume":"87 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Marvell and Parliament\",\"authors\":\"P. Seaward\",\"doi\":\"10.1093/OXFORDHB/9780198736400.013.5\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Andrew Marvell represented Hull in Parliament for more than eighteen years. The record of his actual activity in Parliament is slight, and his political importance can, as a result, seem slight, at least compared to his significance as a satirist. Yet as well as his well-documented behind-the-scenes activity on behalf of Hull, Marvell’s parliamentary record can be interpreted as that of a very important fixer and strategist on behalf of the ‘Presbyterians’ in the Commons, a group which he did much to define and possibly also to call into existence. Analysis of Marvell’s ‘Last Instructions to a Painter’ suggests that it may be not just a polemical and satirical description of a debate, but also intended as a means of rallying some of the disparate elements of an opposition to the court. It, and Marvell’s other political writings, emphasize how central Parliament was to his thought.\",\"PeriodicalId\":226629,\"journal\":{\"name\":\"The Oxford Handbook of Andrew Marvell\",\"volume\":\"87 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-03-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Oxford Handbook of Andrew Marvell\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/OXFORDHB/9780198736400.013.5\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Oxford Handbook of Andrew Marvell","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/OXFORDHB/9780198736400.013.5","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Andrew Marvell represented Hull in Parliament for more than eighteen years. The record of his actual activity in Parliament is slight, and his political importance can, as a result, seem slight, at least compared to his significance as a satirist. Yet as well as his well-documented behind-the-scenes activity on behalf of Hull, Marvell’s parliamentary record can be interpreted as that of a very important fixer and strategist on behalf of the ‘Presbyterians’ in the Commons, a group which he did much to define and possibly also to call into existence. Analysis of Marvell’s ‘Last Instructions to a Painter’ suggests that it may be not just a polemical and satirical description of a debate, but also intended as a means of rallying some of the disparate elements of an opposition to the court. It, and Marvell’s other political writings, emphasize how central Parliament was to his thought.