20世纪艺术中“新创作”的一些意象

Julie Badiee
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引用次数: 1

摘要

在20世纪的艺术中,毁灭的主题是如此普遍,以至于很容易犯一个肤浅的错误,即把现代艺术的大部分视为处理死亡和绝望。然而,仔细研究这一时期就会发现,人们对出生、更新和新开始的主题也一直很着迷。我们这个世纪的许多艺术形式都表现出与过去深刻而有目的的决裂,可以理解为现代艺术家为我们生活的时代创造一种独特而前所未有的视觉语言的持续尝试。这篇文章通过对一些二十世纪艺术家的作品的分析来表明,无论他们是否意识到巴哈伊启示,这些艺术家中的许多人都被迫表达了“新创造”这个安静而又明确的主题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Some Images of a "New Creation" in Twentieth-Century Art
The theme of destruction is so common in twentieth-century art that it is easy to make the superficial mistake of dismissing much of modern art as dealing with death and despair. However, a closer study of this perios can reveal that there has also always been a fascination with the subjects of birth, renewal, and new beginnings. Many of the art forms of our century exhibit a profound and purposeful break from the past and can be understood as a continuing attempt by modern artists to create a unique and unprecedented visual language for the age in which we live. This article looks at the works of some twentieth-centur artists to show that, whether they were aware of the Baha'i Revelation or not, many of these artists have been compelled to express the quiet, yet unmistakable theme of a "new creation."
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