{"title":"欢迎来到美国2.0”:阅读加里·施泰因加特超级悲伤的真实爱情故事中的浪费","authors":"Martín Urdiales-Shaw","doi":"10.25145/j.recaesin.2023.86.08","DOIUrl":null,"url":null,"abstract":"This article proposes a reading of Gary Shteyngart’s celebrated novel Super Sad True Love Story (2010), a text that straddles the dystopian and the satiric in its depiction of a quasicontemporary America, from the perspective of Waste Studies. Through the problematic relationship between its two main characters, Shteyngart’s novel articulates the wide-ranging effects of globalization on a generationally-ruptured American society, that in many ways stands also for the First World at large. Drawing from sociologists, cultural critics, and philosophers like Zygmunt Bauman, Ulrich Beck, Byung-Chul Han, John Scanlan and Susan Sontag, who have theorized how individuals today are molded, challenged and threatened by powerful extrinsic forces in the era of globalization, this article aims to explore how Super Sad True Love Story showcases a range of mutually interrelated “modes of waste,” resulting from the writer’s pushing to a satiric/dystopic extreme contemporary American practices in politics and finance, citizenship and social ethics, culture and language, and even biological research.","PeriodicalId":273717,"journal":{"name":"Revista Canaria de Estudios Ingleses","volume":"32 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Welcome to America 2.0”: Reading Waste in Gary Shteyngart’s Super Sad True Love Story\",\"authors\":\"Martín Urdiales-Shaw\",\"doi\":\"10.25145/j.recaesin.2023.86.08\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article proposes a reading of Gary Shteyngart’s celebrated novel Super Sad True Love Story (2010), a text that straddles the dystopian and the satiric in its depiction of a quasicontemporary America, from the perspective of Waste Studies. Through the problematic relationship between its two main characters, Shteyngart’s novel articulates the wide-ranging effects of globalization on a generationally-ruptured American society, that in many ways stands also for the First World at large. Drawing from sociologists, cultural critics, and philosophers like Zygmunt Bauman, Ulrich Beck, Byung-Chul Han, John Scanlan and Susan Sontag, who have theorized how individuals today are molded, challenged and threatened by powerful extrinsic forces in the era of globalization, this article aims to explore how Super Sad True Love Story showcases a range of mutually interrelated “modes of waste,” resulting from the writer’s pushing to a satiric/dystopic extreme contemporary American practices in politics and finance, citizenship and social ethics, culture and language, and even biological research.\",\"PeriodicalId\":273717,\"journal\":{\"name\":\"Revista Canaria de Estudios Ingleses\",\"volume\":\"32 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista Canaria de Estudios Ingleses\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.25145/j.recaesin.2023.86.08\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista Canaria de Estudios Ingleses","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25145/j.recaesin.2023.86.08","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Welcome to America 2.0”: Reading Waste in Gary Shteyngart’s Super Sad True Love Story
This article proposes a reading of Gary Shteyngart’s celebrated novel Super Sad True Love Story (2010), a text that straddles the dystopian and the satiric in its depiction of a quasicontemporary America, from the perspective of Waste Studies. Through the problematic relationship between its two main characters, Shteyngart’s novel articulates the wide-ranging effects of globalization on a generationally-ruptured American society, that in many ways stands also for the First World at large. Drawing from sociologists, cultural critics, and philosophers like Zygmunt Bauman, Ulrich Beck, Byung-Chul Han, John Scanlan and Susan Sontag, who have theorized how individuals today are molded, challenged and threatened by powerful extrinsic forces in the era of globalization, this article aims to explore how Super Sad True Love Story showcases a range of mutually interrelated “modes of waste,” resulting from the writer’s pushing to a satiric/dystopic extreme contemporary American practices in politics and finance, citizenship and social ethics, culture and language, and even biological research.