空间与地点:在2015年罗斯基勒艺术节上比较基于空间的运动和基于地点的体验

Christopher J. Zimmerman, René Madsen, Henrik Hammer Eliassen, Ravikiran Vatrapu
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引用次数: 2

摘要

本文将城市信息学的方法和技术应用于全球第二大音乐节罗斯基勒音乐节的集中环境所产生的大数据。首先,我们解释了如何利用人文地理学理论的相关维度来绘制“重要性地理学”。其次,我们详细阐述了收集智能手机在物理空间中产生的移动GPS和社交媒体痕迹的方法。第三,我们将空间和事件中自动地理编码的存在与有意将这些空间和事件作为基于地点的体验进行社会标记的消费进行比较和对比。在这样做的过程中,这两层基于空间的运动和基于地点的体验揭示了大众对主观的、相对有意义的、可操作的和有价值的审美欣赏的能力和选择。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Space vs. Place: Comparing Space-based Movements and Place-based Experiences at the Roskilde Festival 2015
This paper applies urban informatics methods and techniques on big data generated from the concentrated environment of the second largest music festival in the world, Roskilde Festival. First, we explain how to utilize relevant dimensions from human geography theories towards mapping a 'Geography of Importance'. Second, we elaborate on methods deployed for collecting both mobile GPS and social media traces that the smart phone generates in physical spaces. Third, we compare and contrast the automatically geocoded presence in space and at events with the intentionally socially tagged consumption of these spaces and events as place-based experiences. In doing so, these two layers of space-based movements and place-based experiences reveal the appropriation of affordances and choices of aesthetic appreciation by the crowd at large of what is subjectively and relatively meaningful, actionable, and valuable.
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