作为表演艺术的索科拉的凯卡皮——身份穆库姆科贵族社区同化艺术的谱系研究

Bambang Parmadil, Bernardin -, Abdul Muktadir, Wembrayarli -
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引用次数: 0

摘要

在Bengkulu省Mukomuko海岸的传统音乐中,研究人员对揭示Sokora鲁特琴身份的谱系感兴趣。Sokora鲁特琴艺术是沿海城市Mukomuko外来(古吉拉特邦/印度)人民文化同化的结果,已成为具有当地文化智慧价值的当地传统音乐,无论是在社会文化背景还是在表演中。文化同化和文化适应在索科拉成为木木子市传统艺术的过程中发挥了重要作用。Kecapi Sokora这个词本身来自mancubo这个词,或者大致来自mukomuko方言。本研究属于定性现象学研究类型。强调对被观察对象的更多方面的描述或描述的研究。采用这种定性方法的研究旨在理解和提供上下文和事实两方面的深入信息。进行这项研究是为了了解和解释已经发生和正在进行的现象,并提供有关Bengkulu沿海社区传统音乐的当地文化智慧价值观转变的知识信息。基于定性方法和文化研究方法,本研究强调探索、旅行、解释和描述伦理、伦理和整体。从宗谱上讲,Kecapi Sokora最初是一种独奏音乐和口头文学形式,在Mukomuko发展起来,特别是在贵族中。索科拉竖琴表演是穆科莫科贵族社会的一门艺术,当时穆科莫科港口仍然是外来商人的中转站,特别是古代来自印度古吉拉特邦的商人。Kecapi Sokora这个词本身来自mancubo这个词,或者大致来自mukomuko方言。Sokora Kecapi乐器是其同类乐器中的一种旋律乐器,包括弦乐器,它的意思是声源来自弦或弦。Sokora Kecapi乐器的音调由以下顺序的七个音符组成:1、2、3、4、5、6和7,这些音符被称为全音阶。在音阶方面,Kecapi Sokora与其他形式的传统乐器不同,传统乐器的音调通常是五声(五个音调)。Kecapi Sokora的表演艺术是Mukomuko的传统艺术之一。Kecapi Sokora Mukomuko艺术是Mukomuko贵族的传统艺术,由一系列马来音乐和舞蹈组成,伴随着打击鼓和声乐/言语乐器。在Sokora Mukomuko琵琶艺术的表演中,表演的持续时间是由要求演讲/诗歌和舞蹈表演的数量决定的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sokora's Kecapi as Performing Art of The Geneology Study of Assimilation Art in Identity Mukomuko Aristocratic Community
The dynamics exposed to the traditional music of the Mukomuko coast in Bengkulu province have made researchers interested in uncovering the genealogy of the identity of the Sokora lute. Sokora lute art as a result of cultural assimilation from outside (Gujarat/India) of the people of the coastal city of Mukomuko has become local traditional music with local cultural wisdom values, both in the sociocultural context and in performances. Cultural assimilation and acculturation play an important role in making Sokora a traditional art in Mukomuko City. The word Kecapi Sokora itself comes from the word mancubo or roughly in the mukomuko dialect. This research is a qualitative phenomenological research type. Research that emphasizes more aspects of the description or description of the object being observed. Research with this qualitative approach seeks to understand and provide in-depth information both contextually and factually. The research was conducted to understand and explain the phenomena that have been going on and are being carried out as well as to provide information on knowledge about the transformation of local cultural wisdom values of traditional music of the Bengkulu coastal community. Based on qualitative methods and a cultural studies approach, this research emphasizes exploring, traveling, explaining, and describing ethically, emically, and holistically. Genealogically, at first Kecapi Sokora was a form of solo music and oral literature that was developed in Mukomuko, especially among the nobility. The Sokora Harp Performance is an art that is characteristic of the aristocratic society in Mukomuko at the time when the Mukomuko port was still a transit center for traders from outside, especially from Gujarat India in ancient times. The word Kecapi Sokora itself comes from the word mancubo or roughly in the mukomuko dialect. The Sokora Kecapi instrument is one of the melodic instruments in its class, including the chordophone, which means that the sound source comes from strings or strings. The tones of the Sokora Kecapi instrument consist of seven notes in the following order, 1, 2, 3, 4, 5, 6, and 7 which are called diatonic. In terms of scale, the Kecapi Sokora is unique from other forms of traditional musical instruments, where the tones of traditional musical instruments are usually pentatonic (five tones). The Performing Arts of Kecapi Sokora is one of the traditional arts in Mukomuko. The art of Kecapi Sokora Mukomuko as a traditional art of the Mukomuko nobility consists of a series of Malay musicality and dances accompanied by percussion drums and vocal/speech instruments. In the show, the Sokora Mukomuko lute art, the duration of the performance is determined by the number of requests for speech/poem and dance performances.
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