疾病与治疗的性别叙述:坦桑尼亚灵恩教会社区的灵附经历

Lotta Gammelin
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引用次数: 2

摘要

所有人的福音奇迹教会(gmcl)的礼拜仪式遵循一个非常相似的戏剧性模式:高潮点出现在布道和奉献之后,在治疗环节中,迷失在精神恍惚中的妇女成为会众关注的焦点。通常他们会尖叫,反抗,试图逃跑,在大声而生动的代祷和按手的过程中,需要几个人按住他们,保持安静。当祈祷开始时,这个社区的领袖和创始人先知Mpanji鼓励人们加入他的祈祷和精神战争(vita vya kiroho),女性合唱团成员和牧师在腰上缠上大块布来保护他们的衣服。这是一种实际的行为,因为治愈祈祷是身体上的,而且是凌乱的。病人在泥地上打滚,当圣水洒在他们身上时,污泥堆积起来,覆盖了他们的衣服和身体,也溅到了帮助治疗的祈祷者身上,他们对身体要求很高。为祈祷而穿衣服也是一种强烈的象征行为:她们代表被迫与邪恶的灵魂生活在一起、渴望救赎的姐妹们参加了一场战争。与此同时,教众被邀请为被附身的灵魂共同祈祷,并被敦促摧毁自己生活中的邪恶势力。更重要的是,他们也是观众,他们对正在进行的戏剧的迷恋是显而易见的,他们以狂热的强度观看比赛。正如Lambek所写的那样,当灵魂附身变得公开时,它会引起“对周围人的沉思、询问、认同和启发”
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gendered Narratives of Illness and Healing: Experiences of Spirit Possession in a Charismatic Church Community in Tanzania
Church services at the Gospel Miracle Church for All People (gmcl)1 follow a dramatic pattern that is always very similar: the culmination point comes after the sermon and offering with the healing session in which women lost in spirit trances become the focus of the congregation’s attention. Usually they scream, resist, and try to escape, and several people are required to hold them down and still during the loud and vivid intercession prayers and laying on of hands. As the prayers commence, and Prophet Mpanji, leader and founder of this community, encourages people to join him in prayer and spiritual warfare (vita vya kiroho), female choir members and pastors wrap large pieces of cloth around their waists to protect their clothing. It is a practical act, since healing prayers are physical and messy. The patients roll around on the mud floor and as the holy water is thrown on them sludge builds up that covers their clothes and bodies and also spatters the prayer servants for whom assisting in the healing session is physically demanding. Dressing for a prayer session is also a strongly symbolic action: they are entering a war on behalf of their sisters who are forced to live with malicious spirits and long for redemption. Meanwhile the congregation is invited to join communal prayer for the spirit possessed, as well as being urged to destroy evil forces in their own lives. More than that, they are also spectators whose fascination for the on-going drama is obvious and who watch events with fervent intensity. When spirit possession becomes public it invites “contemplation, interrogation, identification, and edification for those around them”, as Lambek writes.2
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