比例理论在造型设计中的应用

Boletim da Aproged Pub Date : 2018-12-01 DOI:10.24840/2184-4933_2018-0034_0018

V. Spinadel

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引用次数: 0

摘要

在整个人类文化的演变过程中，从史前早期开始，接着是埃及、印度、中国、伊斯兰教和其他传统文明的神圣艺术，设计师们一直试图创造出和谐的形式，同时又特别美丽。这一目标主导了希腊和罗马的艺术和建筑，在中世纪的哥特运动和后来的文艺复兴运动中持续存在。

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APPLICATION OF THE PROPORTION THEORY TO FORM DESIGN1

Throughout the evolution of human culture, starting from the early Prehistory, following with the sacred art of Egypt, India, China, Islam and other traditional civilizations, the designers had tried to produce harmonic forms that simultaneously were particularly beautiful. This objective dominated Greek and Roman art and Architecture, persisting in the movements of the Gothic Middle Ages and later on, in the Renaissance.

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Boletim da Aproged

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