NARODNA KNjIŽEVNOST I IDENTITESKE PROMENE U SRPSKOJ KNjIŽEVNOSTI

Boško Suvajdžić
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引用次数: 0

摘要

口头文学教学的新方法提出了分类和术语、作者现象、创作过程和传统、接受的复杂性、口头流派及其诗学的特殊性等问题。术语“口头公式”和“公式性”也作为口头诗歌语法的一些最重要的元素在这些方法中脱颖而出。在所有这些以诗学为重点的研究中,不应忽视塞尔维亚口头文学作为“我们的经典、唯一和真实”(Vasko Popa)的特性,也不应忽视其在教学和教育中的具体作用:美学、伦理、认识论、文化、教育功能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
NARODNA KNjIŽEVNOST I IDENTITETSKE PROMENE U SRPSKOJ KNjIŽEVNOSTI
New approaches to oral literature in teaching bring to the fore the questions of classification and terminology, the phenomenon of authorship, the process of composing and tradition, the complexity of reception, the specificities of oral genres and their poetics. The terms ’oral formula’ and ’formulativity’ also stand out in these approaches as some of the most important elements of oral poetic grammar. In all of these researches focused on poetics, the identitary character of Serbian oral literature as “our classic, one and true” (Vasko Popa) should not be neglected, nor its specific roles in teaching and education: aesthetic, ethical, epistemological, cultural, educational functions.
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