{"title":"女朋友，男朋友，和聪明的年轻人","authors":"Jane Marcus","doi":"10.2307/j.ctv19prrnk.12","DOIUrl":null,"url":null,"abstract":"The chapter explores Cunard’s circle of bohemian friends as it gives an analysis of women’s independence and the identification of that independence with lesbian sexuality. The chapter also examines Cunard’s relationship to Wyndham Lewis, Aldous Huxley, and Louis Aragon, rereading Huxley’s fictional portrayal of Cunard as femme fatale and his engagement with English primitivism. Cunard’s contributions to Vogue and avant-garde aesthetics and leftist politics are also investigated.","PeriodicalId":402715,"journal":{"name":"Nancy Cunard","volume":"423 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Girlfriends, Boyfriends, and Bright Young Things\",\"authors\":\"Jane Marcus\",\"doi\":\"10.2307/j.ctv19prrnk.12\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The chapter explores Cunard’s circle of bohemian friends as it gives an analysis of women’s independence and the identification of that independence with lesbian sexuality. The chapter also examines Cunard’s relationship to Wyndham Lewis, Aldous Huxley, and Louis Aragon, rereading Huxley’s fictional portrayal of Cunard as femme fatale and his engagement with English primitivism. Cunard’s contributions to Vogue and avant-garde aesthetics and leftist politics are also investigated.\",\"PeriodicalId\":402715,\"journal\":{\"name\":\"Nancy Cunard\",\"volume\":\"423 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-11-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nancy Cunard\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctv19prrnk.12\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nancy Cunard","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv19prrnk.12","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The chapter explores Cunard’s circle of bohemian friends as it gives an analysis of women’s independence and the identification of that independence with lesbian sexuality. The chapter also examines Cunard’s relationship to Wyndham Lewis, Aldous Huxley, and Louis Aragon, rereading Huxley’s fictional portrayal of Cunard as femme fatale and his engagement with English primitivism. Cunard’s contributions to Vogue and avant-garde aesthetics and leftist politics are also investigated.
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