“出埃及记”中的出埃及记:鲍勃·马利歌词的多模态分析

C. Amenorvi
{"title":"“出埃及记”中的出埃及记:鲍勃·马利歌词的多模态分析","authors":"C. Amenorvi","doi":"10.36892/ijlls.v1i3.90","DOIUrl":null,"url":null,"abstract":"This paper employs a multimodal analytical approach in analyzing the theme of exodus in Bob Marley’s ‘Exodus’ album where attention is given to four main areas, namely, the album’s cover design, the employment of lexical items, the use of literary devices as well as aesthetics by which Marley conveys the theme of exodus throughout the album. Findings show that the album’s cover design is symbolically employed to project the theme of exodus. The choice of the gold color as the background as well as the inscription of ‘EXODUS’ in red in the heart of the golden background equivocally reveals Africa’s ‘golden’ contributions to the West while the Africans in the West are ‘bleeding’(red), a reason for which they must embark on an exodus. Lexically, Marley employs content emotion-packed lexical items, namely nouns, verbs, adjectives and adverbs, to project the theme of exodus. Besides, Marley relies heavily on literary devices such as allusion, equivocation, metaphor, repetition and rhyme as tools for the projection of the theme of exodus in his ‘Exodus’ album. Finally, by deliberate design, the names of the songs of the album, their arrangement as well as their number all aesthetically tell a conscious but beautiful story in the name of the overall theme of exodus in the album by the same name, making Marley’s ‘Exodus’ album not merely a classical musical piece but a discourse masterpiece equivalent to one from a skilled troubadour.","PeriodicalId":379923,"journal":{"name":"CommRN: Other Communication & Identity (Topic)","volume":"87 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Exodus in ‘Exodus’: A Multimodal Analysis of Bob Marley’s Lyrics\",\"authors\":\"C. Amenorvi\",\"doi\":\"10.36892/ijlls.v1i3.90\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper employs a multimodal analytical approach in analyzing the theme of exodus in Bob Marley’s ‘Exodus’ album where attention is given to four main areas, namely, the album’s cover design, the employment of lexical items, the use of literary devices as well as aesthetics by which Marley conveys the theme of exodus throughout the album. Findings show that the album’s cover design is symbolically employed to project the theme of exodus. The choice of the gold color as the background as well as the inscription of ‘EXODUS’ in red in the heart of the golden background equivocally reveals Africa’s ‘golden’ contributions to the West while the Africans in the West are ‘bleeding’(red), a reason for which they must embark on an exodus. Lexically, Marley employs content emotion-packed lexical items, namely nouns, verbs, adjectives and adverbs, to project the theme of exodus. Besides, Marley relies heavily on literary devices such as allusion, equivocation, metaphor, repetition and rhyme as tools for the projection of the theme of exodus in his ‘Exodus’ album. Finally, by deliberate design, the names of the songs of the album, their arrangement as well as their number all aesthetically tell a conscious but beautiful story in the name of the overall theme of exodus in the album by the same name, making Marley’s ‘Exodus’ album not merely a classical musical piece but a discourse masterpiece equivalent to one from a skilled troubadour.\",\"PeriodicalId\":379923,\"journal\":{\"name\":\"CommRN: Other Communication & Identity (Topic)\",\"volume\":\"87 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-12-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CommRN: Other Communication & Identity (Topic)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.36892/ijlls.v1i3.90\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CommRN: Other Communication & Identity (Topic)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36892/ijlls.v1i3.90","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1

摘要

本文采用多模态分析方法来分析鲍勃·马利的“出埃及记”专辑中的出埃及主题,其中关注四个主要方面,即专辑的封面设计,词汇项目的使用,文学设备的使用以及马利在整个专辑中传达出出埃及主题的美学。结果表明,专辑的封面设计象征性地反映了出埃及的主题。金色作为背景的选择,以及金色背景中心的红色“EXODUS”字样,模糊地揭示了非洲对西方的“金色”贡献,而在西方的非洲人正在“流血”(红色),这是他们必须踏上出走之路的原因。在词汇方面,马利运用了内容丰富的词汇项目,即名词、动词、形容词和副词,来突出出埃及记的主题。此外,马利在他的《出埃及记》专辑中大量使用了典故、模棱两可、隐喻、重复和押韵等文学手段来表达出埃及的主题。最后,经过深思熟虑的设计,专辑歌曲的名字,他们的安排以及他们的数量都在美学上讲述了一个有意识的但美丽的故事,以同名专辑中exodus的整体主题的名义,使Marley的“exodus”专辑不仅是一个古典音乐作品,而且是一个话语杰作,相当于一个熟练的游吟诗人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Exodus in ‘Exodus’: A Multimodal Analysis of Bob Marley’s Lyrics
This paper employs a multimodal analytical approach in analyzing the theme of exodus in Bob Marley’s ‘Exodus’ album where attention is given to four main areas, namely, the album’s cover design, the employment of lexical items, the use of literary devices as well as aesthetics by which Marley conveys the theme of exodus throughout the album. Findings show that the album’s cover design is symbolically employed to project the theme of exodus. The choice of the gold color as the background as well as the inscription of ‘EXODUS’ in red in the heart of the golden background equivocally reveals Africa’s ‘golden’ contributions to the West while the Africans in the West are ‘bleeding’(red), a reason for which they must embark on an exodus. Lexically, Marley employs content emotion-packed lexical items, namely nouns, verbs, adjectives and adverbs, to project the theme of exodus. Besides, Marley relies heavily on literary devices such as allusion, equivocation, metaphor, repetition and rhyme as tools for the projection of the theme of exodus in his ‘Exodus’ album. Finally, by deliberate design, the names of the songs of the album, their arrangement as well as their number all aesthetically tell a conscious but beautiful story in the name of the overall theme of exodus in the album by the same name, making Marley’s ‘Exodus’ album not merely a classical musical piece but a discourse masterpiece equivalent to one from a skilled troubadour.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信