色彩在产品和材料设计中的生态作用

Soňa Otiepková
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引用次数: 0

摘要

摘要:本研究论文的目的是在产品和材料设计中绘制,记录和分类新的,进步的和透视的颜色方法。目的是从生态的角度确定颜色在新材料和产品创造中的影响和重要性。目前大多数设计创造和研究的进步方法都是在生态框架下设定的,考虑到它们对环境的影响。问题不在于颜色是否出现在这个过程中,而是它在这个过程中处于什么位置,它是否能帮助这个过程,以及它对这个过程的影响有多大。本文的目的之一是提高对这一领域的认识,并引起对这一主题的兴趣和讨论。在设计中,色彩的主题常常被忽视,被置于背景之中。几项关于颜色对产品评价和消费者购物行为影响的科学研究的结果表明了这一主题的潜力,并为进一步的研究开辟了空间。在这篇研究论文中,我们考虑了产品和材料设计师和研究人员在生态背景下的色彩方法,作为一个独立的设计和材料创作群体。在这一主要群体中,个别方法可以分为四个基本原则,本文对其进行了定义和描述。通过不同设计师作品的具体例子,对其进行更深入的分析和研究。这些原则没有固定的界限,它们不是孤立的。它们相互影响或追随。在生态环境中对颜色方法的这种分类使我们能够更专业地讨论它,并试图定义它在个人方法中的重要性和作用。最终,它帮助我们回答了颜色是否以及如何影响人类与环境互动的过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Role of colour in ecological approach to product and material design
Abstract The aim of this research paper is to map, document and classify new, progressive and perspective approaches to colour in product and material design. The purpose is to identify the impact and importance of colour in the creation of new materials and products from an ecological point of view. The majority of current progressive approaches to design creation and research is set in an ecological framework, taking into account their impact on the environment. The question is not whether colour is present in this process, but rather where it stands in this process, whether it can help it and how much it affects it. One of the objectives of this article is to raise awareness in this area and to arouse interest in and discussion on this topic. The theme of colours in design is often overlooked and relegated to the background. The results of several scientific studies on the impact of colour on product evaluation and consumer shopping behaviour suggest the potential of this topic and open up space for further research. In this research paper, we consider the approach of product and material designers and researchers to colour in an ecological context, as a stand-alone design and material creation group. Within this main group, individual approaches can be classified into four basic principles, which the paper defines and describes. They are analysed and researched in more depth through specific examples of the work of various designers. The principles have no fixed boundaries, they are not isolated. They influence or follow each other. This classification of the approach to colour in an ecological context allows us primarily to talk about it more professionally and attempt to define its importance and role in individual approach. Ultimately, it helps us answer the question of whether and how colour can affect the process of changing human interaction with the environment.
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