{"title":"研讨会序言","authors":"Daniel F. Tritter","doi":"10.2307/27670185","DOIUrl":null,"url":null,"abstract":"Less than a score of years ago, my welcoming toast would have semed an impudent conceit both in the world of the law and in the world of literature. Law school curriculum committees viewed a course in Law and Literature as a frill in the rigor of traditional legal studies; likewise, literature departments found much to contemplate as to the interrelation but did not yet consider it a true sub-specialty. Now, such courses are offered in the majority of American law schools (and no small number abroad), and literary critics and theoreticians are heavily involved in the discourse. So the world moves swiftly. With the inspiration of J. Allen Smith, then of the Rutgers Law faculty, and with the energy of Richard H. Weisberg of the fledgling Benjamin N. Cardozo School, the Law and Humanities Institute was born in 1979. In its first salvo, LHI announced as an early goal the publication of a scholarly journal dedi cated to the cross-fertilization of those twin disciplines, law and litera ture. In subsequent years, LHI has staged annual international sympo sia and frequent local gatherings on topics of interest not only to scholars, but to bar, bench, artists, and the laity as well. To offer a journal has been somewhat more arduous and dis tant in accomplishment than first imagined. From the earliest days of LHI, the Cardozo family has been friendly and generous in offering its support, particularly from the office of Dean Monroe E. Price and the Jacob Burns Institute. The fruit of this collaboration is now in your hands, the new and long awaited Cardozo Studies in Law and Litera ture, edited by members of LHI, by Cardozo Law School faculty, by prominent writers, and by other distinguished academics and lawyers. One of LHI's liveliest gatherings was the October 1987 sym posium under the able direction of Professor L.H. LaRue, at the law school of Washington and Lee University, in Lexington, Virginia. For the first time, an LHI conference focused on one author, one work: Herman Melville's final creation, the enigmatic and complex Billy Budd, Sailor. From the keynote comments of Professor Harrison","PeriodicalId":312913,"journal":{"name":"Cardozo Studies in Law and Literature","volume":"70 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1989-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Preface to the Symposium\",\"authors\":\"Daniel F. Tritter\",\"doi\":\"10.2307/27670185\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Less than a score of years ago, my welcoming toast would have semed an impudent conceit both in the world of the law and in the world of literature. 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For the first time, an LHI conference focused on one author, one work: Herman Melville's final creation, the enigmatic and complex Billy Budd, Sailor. 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引用次数: 0
摘要
不到20年前,我的欢迎祝酒词无论在法律界还是在文学界,都会被视为一种厚颜无耻的自负。法学院的课程委员会将法律与文学课程视为传统法律研究的一种装饰;同样,文学系也发现有很多东西值得考虑,但还没有将其视为一个真正的子专业。现在,这样的课程在美国的大多数法学院都有开设(国外也有不少),文学评论家和理论家也大量参与其中。因此,世界发展迅速。在时任罗格斯大学法学院教授j·艾伦·史密斯(J. Allen Smith)的启发下,在刚刚起步的本杰明·n·卡多佐学院(Benjamin N. Cardozo School)教授理查德·h·韦斯伯格(Richard H. Weisberg)的努力下,法律与人文学院于1979年诞生。在它的第一次齐射中,LHI宣布了一个早期目标,即出版一份学术期刊,致力于法律和文学这两个孪生学科的交叉受精。随后的几年里,LHI举办了一年一度的国际研讨会和频繁的当地聚会,讨论的话题不仅是学者们感兴趣的,还有酒吧、长凳、艺术家和俗人。出版期刊比最初想象的要艰难和遥远得多。从LHI成立之初,卡多佐家族就一直友好而慷慨地提供支持,特别是来自门罗·e·普莱斯院长办公室和雅各布·伯恩斯研究所。这次合作的成果现在就在你们手中,期待已久的新卡多佐法律与文学研究,由LHI的成员、卡多佐法学院的教员、著名作家以及其他杰出的学者和律师编辑。1987年10月,在弗吉尼亚州列克星敦的华盛顿和李大学法学院L.H. LaRue教授的得力指导下,LHI最活跃的聚会之一是研讨会。LHI会议第一次聚焦于一位作家、一部作品:赫尔曼·梅尔维尔的最后一部作品,神秘而复杂的《水手比利·巴德》。来自哈里森教授的主旨评论
Less than a score of years ago, my welcoming toast would have semed an impudent conceit both in the world of the law and in the world of literature. Law school curriculum committees viewed a course in Law and Literature as a frill in the rigor of traditional legal studies; likewise, literature departments found much to contemplate as to the interrelation but did not yet consider it a true sub-specialty. Now, such courses are offered in the majority of American law schools (and no small number abroad), and literary critics and theoreticians are heavily involved in the discourse. So the world moves swiftly. With the inspiration of J. Allen Smith, then of the Rutgers Law faculty, and with the energy of Richard H. Weisberg of the fledgling Benjamin N. Cardozo School, the Law and Humanities Institute was born in 1979. In its first salvo, LHI announced as an early goal the publication of a scholarly journal dedi cated to the cross-fertilization of those twin disciplines, law and litera ture. In subsequent years, LHI has staged annual international sympo sia and frequent local gatherings on topics of interest not only to scholars, but to bar, bench, artists, and the laity as well. To offer a journal has been somewhat more arduous and dis tant in accomplishment than first imagined. From the earliest days of LHI, the Cardozo family has been friendly and generous in offering its support, particularly from the office of Dean Monroe E. Price and the Jacob Burns Institute. The fruit of this collaboration is now in your hands, the new and long awaited Cardozo Studies in Law and Litera ture, edited by members of LHI, by Cardozo Law School faculty, by prominent writers, and by other distinguished academics and lawyers. One of LHI's liveliest gatherings was the October 1987 sym posium under the able direction of Professor L.H. LaRue, at the law school of Washington and Lee University, in Lexington, Virginia. For the first time, an LHI conference focused on one author, one work: Herman Melville's final creation, the enigmatic and complex Billy Budd, Sailor. From the keynote comments of Professor Harrison