前奏曲、桥梁和辅助部分

Drew F. Nobile
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引用次数: 0

摘要

本章详细介绍了前奏曲、桥曲和辅助部分的结构和功能,包括独奏、乐器休息、介绍、外音、后合唱和过渡。虽然许多人认为前奏曲和桥梁包含本质上相同的结构,但本章表明,它们在歌曲的正式语境中扮演的角色完全不同:前奏曲与前一节和随后的合唱结合在一起,在三个部分中创造了一个单一的广阔轨迹,而桥梁存在于歌曲的核心循环之外。本章将桥分为经典桥和凹槽桥,前者以非主音开始,以半过渡节奏结束,后者提供对比,但保持在稳定的主音上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Prechoruses, Bridges, and Auxiliary Sections
This chapter offers a detailed look at the structure and function of prechoruses, bridges, and auxiliary sections including solos, instrumental breaks, intros, outros, postchoruses, and transitions. Though many consider prechoruses and bridges to contain essentially the same structure, this chapter demonstrates that their roles are entirely different within a song’s formal context: prechoruses combine with their preceding verse and ensuing chorus to create a single broad trajectory across the three sections, while bridges exist outside a song’s core cycle. The chapter divides bridges into classic bridges, which begin off-tonic and end with a retransitional half cadence, and groove bridges, which provide contrast but remain on the stable tonic.
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