黑炮的《追彩虹》

Karen Jaime
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引用次数: 0

摘要

本章批判性地分析了当代跨性别口语诗人、表演艺术家和音乐家埃里森·格伦的作品。具体来说,它侧重于格伦如何对美国和国外非洲裔美国人当前的政治、社会和经济状况进行批判。格伦早年参加诗歌大满贯比赛和他对吟诗人的重新利用,以及他对嘻哈男子气概的批评,以及他对表演角色Black Cracker的采用,都被记录下来。《黑饼干》使格伦的作品超越了美国的口语循环,从而在一种被定义为跨非洲未来主义的模式下,想象和表演了跨性别和酷儿种族身份的多样性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Black Cracker’s “Chasing Rainbows”
This chapter critically analyzes the work of contemporary transgender spoken word poet, performance artist, and musician Ellison Glenn. Specifically, it focuses on how Glenn forges a critique of the current political, social, and economic conditions of African Americans in the United States and abroad. Glenn’s early days of participating in poetry slam competitions and his reappropriation of minstrelsy are documented alongside his critique of hip-hop masculinity and his adoption of the performance persona Black Cracker. Black Cracker enables Glenn to move his work beyond the US-based spoken word circuit, resulting in his imagining and performing a multiplicity of trans and queer racial identities in a mode defined as trans-Afrofuturism.
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