“不要教育他们而忽略了教育自己”:与阿尔·温德尔的对话

Anton Krueger, Albert Wunder
{"title":"“不要教育他们而忽略了教育自己”:与阿尔·温德尔的对话","authors":"Anton Krueger, Albert Wunder","doi":"10.5920/pam.1005","DOIUrl":null,"url":null,"abstract":"Al Wunder's biography, in his own words: I had four lucky breaks that precipitated my becoming a teacher of improvised movement theatre. Between the ages of eight and fourteen I broke my right leg four different times. In 1962, I began modern dance classes with Alwin Nikolais as a physical therapy. His choreography and improvisation sections of class inspired me to teach and perform professionally. I spent eight years studying, teaching, choreographing, and performing with Nikolais.1970 saw me move to the San Francisco Bay area where I opened a dance studio teaching Nikolais dance technique and improvisation. In 1971, I joined forces with Terry Sendgraff and Ruth Zaporah creating The Berkeley Dance Theater & Gymnasium. My focus was to create a way to teach dance technique through improvisation. I met my Australian wife, Lynden Nicholls, in 1981 when she came to study Motivity at Terry’s studio in Berkeley. In 1982, I moved to Melbourne, Australia where Lynden and I set up a dance studio. My focus changed from teaching dance technique improvisationally to teaching improvised movement theatre performance.Over the next thirty years I developed a pedagogy that inspired professional and non-professional performers to create improvised movement theatre pieces. In 2006, I self-published a book, The Wonder of Improvisation. In 2017, a documentary was made by Michelle Dunn, The Wonder of Improvisation. In 2021, a book was written by Hilary Elliott and published by Routledge, The Motional Improvisation of Al Wunder.","PeriodicalId":365622,"journal":{"name":"Improvisation Special Issue","volume":"196 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘Don't educate them out of educating themselves’: A conversation with Al Wunder\",\"authors\":\"Anton Krueger, Albert Wunder\",\"doi\":\"10.5920/pam.1005\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Al Wunder's biography, in his own words: I had four lucky breaks that precipitated my becoming a teacher of improvised movement theatre. Between the ages of eight and fourteen I broke my right leg four different times. In 1962, I began modern dance classes with Alwin Nikolais as a physical therapy. His choreography and improvisation sections of class inspired me to teach and perform professionally. I spent eight years studying, teaching, choreographing, and performing with Nikolais.1970 saw me move to the San Francisco Bay area where I opened a dance studio teaching Nikolais dance technique and improvisation. In 1971, I joined forces with Terry Sendgraff and Ruth Zaporah creating The Berkeley Dance Theater & Gymnasium. My focus was to create a way to teach dance technique through improvisation. I met my Australian wife, Lynden Nicholls, in 1981 when she came to study Motivity at Terry’s studio in Berkeley. In 1982, I moved to Melbourne, Australia where Lynden and I set up a dance studio. My focus changed from teaching dance technique improvisationally to teaching improvised movement theatre performance.Over the next thirty years I developed a pedagogy that inspired professional and non-professional performers to create improvised movement theatre pieces. In 2006, I self-published a book, The Wonder of Improvisation. In 2017, a documentary was made by Michelle Dunn, The Wonder of Improvisation. In 2021, a book was written by Hilary Elliott and published by Routledge, The Motional Improvisation of Al Wunder.\",\"PeriodicalId\":365622,\"journal\":{\"name\":\"Improvisation Special Issue\",\"volume\":\"196 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Improvisation Special Issue\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5920/pam.1005\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Improvisation Special Issue","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5920/pam.1005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

Al Wunder的传记,用他自己的话说:我有四次幸运的机会,促使我成为一名即兴运动戏剧老师。在8岁到14岁之间,我的右腿摔断了四次。1962年,我开始和阿尔文·尼古拉一起上现代舞课,作为一种物理疗法。他的编舞和即兴表演部分启发了我的专业教学和表演。我花了八年的时间和尼古拉斯一起学习、教学、编舞和表演。1970年,我搬到了旧金山湾区,在那里我开了一家舞蹈工作室,教授尼古拉斯的舞蹈技巧和即兴表演。1971年,我与Terry Sendgraff和Ruth Zaporah合作创建了伯克利舞蹈剧院和体育馆。我的重点是创造一种通过即兴表演来教授舞蹈技巧的方法。1981年,我遇到了我的澳大利亚妻子林登·尼科尔斯(Lynden Nicholls),当时她来到特里位于伯克利的工作室学习动力。1982年,我搬到了澳大利亚的墨尔本,在那里我和林登建立了一个舞蹈工作室。我的重点从教授即兴舞蹈技巧转向教授即兴动作戏剧表演。在接下来的三十年里,我发展了一种教学法,激励专业和非专业的表演者创作即兴的运动戏剧作品。2006年,我自己出版了一本书,《即兴创作的奇迹》。2017年,米歇尔·邓恩制作了一部纪录片《即兴创作的奇迹》。2021年,希拉里·艾略特写了一本书,由劳特利奇出版社出版,名为《人工奇迹的情感即兴创作》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Don't educate them out of educating themselves’: A conversation with Al Wunder
Al Wunder's biography, in his own words: I had four lucky breaks that precipitated my becoming a teacher of improvised movement theatre. Between the ages of eight and fourteen I broke my right leg four different times. In 1962, I began modern dance classes with Alwin Nikolais as a physical therapy. His choreography and improvisation sections of class inspired me to teach and perform professionally. I spent eight years studying, teaching, choreographing, and performing with Nikolais.1970 saw me move to the San Francisco Bay area where I opened a dance studio teaching Nikolais dance technique and improvisation. In 1971, I joined forces with Terry Sendgraff and Ruth Zaporah creating The Berkeley Dance Theater & Gymnasium. My focus was to create a way to teach dance technique through improvisation. I met my Australian wife, Lynden Nicholls, in 1981 when she came to study Motivity at Terry’s studio in Berkeley. In 1982, I moved to Melbourne, Australia where Lynden and I set up a dance studio. My focus changed from teaching dance technique improvisationally to teaching improvised movement theatre performance.Over the next thirty years I developed a pedagogy that inspired professional and non-professional performers to create improvised movement theatre pieces. In 2006, I self-published a book, The Wonder of Improvisation. In 2017, a documentary was made by Michelle Dunn, The Wonder of Improvisation. In 2021, a book was written by Hilary Elliott and published by Routledge, The Motional Improvisation of Al Wunder.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信