Arne Eigenfeldt, O. Bown, Philippe Pasquier, Aengus Martin
{"title":"走向音乐元创造的分类:对第一个音乐元创造周末的思考","authors":"Arne Eigenfeldt, O. Bown, Philippe Pasquier, Aengus Martin","doi":"10.1609/aiide.v9i5.12647","DOIUrl":null,"url":null,"abstract":"\n \n The Musical Metacreation Weekend (MuMeWe), a series of four concerts presenting works of metacreation, was held in June 2013. These concerts offered an opportunity to review how different composers and system designers are approaching generative practices. We propose a taxonomy of musical metacreation, with specific reference to works and systems presented at MuMeWe, in an effort to begin a discussion of methods of measuring metacreative musical works. The seven stages of this taxonomy are loosely based upon the autonomy of the system, specifically in its ability to make high-level musical decisions during the course of the composition and/or performance. We conclude with a discussion of how these levels could be interpreted, and the potential difficulties involved in their specification and terminology.\n \n","PeriodicalId":249108,"journal":{"name":"Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment","volume":"14 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"28","resultStr":"{\"title\":\"Towards a Taxonomy of Musical Metacreation: Reflections on the First Musical Metacreation Weekend\",\"authors\":\"Arne Eigenfeldt, O. Bown, Philippe Pasquier, Aengus Martin\",\"doi\":\"10.1609/aiide.v9i5.12647\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n \\n The Musical Metacreation Weekend (MuMeWe), a series of four concerts presenting works of metacreation, was held in June 2013. These concerts offered an opportunity to review how different composers and system designers are approaching generative practices. We propose a taxonomy of musical metacreation, with specific reference to works and systems presented at MuMeWe, in an effort to begin a discussion of methods of measuring metacreative musical works. The seven stages of this taxonomy are loosely based upon the autonomy of the system, specifically in its ability to make high-level musical decisions during the course of the composition and/or performance. We conclude with a discussion of how these levels could be interpreted, and the potential difficulties involved in their specification and terminology.\\n \\n\",\"PeriodicalId\":249108,\"journal\":{\"name\":\"Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment\",\"volume\":\"14 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"28\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1609/aiide.v9i5.12647\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1609/aiide.v9i5.12647","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Towards a Taxonomy of Musical Metacreation: Reflections on the First Musical Metacreation Weekend
The Musical Metacreation Weekend (MuMeWe), a series of four concerts presenting works of metacreation, was held in June 2013. These concerts offered an opportunity to review how different composers and system designers are approaching generative practices. We propose a taxonomy of musical metacreation, with specific reference to works and systems presented at MuMeWe, in an effort to begin a discussion of methods of measuring metacreative musical works. The seven stages of this taxonomy are loosely based upon the autonomy of the system, specifically in its ability to make high-level musical decisions during the course of the composition and/or performance. We conclude with a discussion of how these levels could be interpreted, and the potential difficulties involved in their specification and terminology.