{"title":"脱离历史,面对墙壁:将移民描绘为全球紧急情况","authors":"D. Apel","doi":"10.5117/9789463724166_ch05","DOIUrl":null,"url":null,"abstract":"This essay examines select visual representations of refugees and migrants\n as embodied subjects in photography, art, and video. It focuses on American\n asylum politics and explores the questions of free movement, the right\n to have rights, and the ethics and efficacy of border walls. It argues that\n the catastrophe of global forced displacement makes the elimination of\n national borders and the nation state itself a revolutionary necessity.","PeriodicalId":446435,"journal":{"name":"Refugees and Migrants in Contemporary Film, Art and Media","volume":"21 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Dislodged from History, Confronted by Walls : Picturing Migration as a Global Emergency\",\"authors\":\"D. Apel\",\"doi\":\"10.5117/9789463724166_ch05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay examines select visual representations of refugees and migrants\\n as embodied subjects in photography, art, and video. It focuses on American\\n asylum politics and explores the questions of free movement, the right\\n to have rights, and the ethics and efficacy of border walls. It argues that\\n the catastrophe of global forced displacement makes the elimination of\\n national borders and the nation state itself a revolutionary necessity.\",\"PeriodicalId\":446435,\"journal\":{\"name\":\"Refugees and Migrants in Contemporary Film, Art and Media\",\"volume\":\"21 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-03-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Refugees and Migrants in Contemporary Film, Art and Media\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5117/9789463724166_ch05\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Refugees and Migrants in Contemporary Film, Art and Media","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5117/9789463724166_ch05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Dislodged from History, Confronted by Walls : Picturing Migration as a Global Emergency
This essay examines select visual representations of refugees and migrants
as embodied subjects in photography, art, and video. It focuses on American
asylum politics and explores the questions of free movement, the right
to have rights, and the ethics and efficacy of border walls. It argues that
the catastrophe of global forced displacement makes the elimination of
national borders and the nation state itself a revolutionary necessity.