文化边陲的身份戏剧。教育意义

Jerzy Nikitorowicz
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引用次数: 1

摘要

除了文学作品中经常出现的积极的边界效应外,本文还呈现了发生在文化、宗教和种族边界上的个人、家庭和社区的困境和悲剧。方法论基础是对边疆和多范围身份的解释概念,通过这个概念,我阅读并描述了Grzegorz Dżus在2020年出版的《Banderowka》一书中提出的Emilia Moszczańska Kosiur Niewęgłowska的命运。书中主人公的叙述可以呈现家庭、个人和社会身份的塑造过程。在这个过程中,面对怀疑、无助、恐惧和屈辱,这样的问题占据了主导地位:我是谁?我要成为谁?我该怎么办?作者关注叙述者的内心对话问题,指出其在教育和人文语境中的价值。他强调,在塑造身份的过程中,对身份的三个方面进行调解,并将自己从四面八方所经历的异化的耻辱中解放出来,是多么困难但又多么重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dramaty tożsamości wpisane w pogranicze kultur. Implikacje edukacyjne
In addition to the positive borderline effect, which is often presented in the literature, this text presents the dilemmas and tragedies of the individual, family and community, taking place on the border of cultures, religions and ethnicities. The methodological basis is the concept of the interpretation of the borderland and multi-range identity, through which I read and describe the fate of Emilia Moszczańska Kosiur Niewęgłowska presented by Grzegorz Dżus in the book “Banderowka”, published in 2020. The narration of the book’s main character allowed for presenting the process of shaping the family, individual and social identity. In this process, in the face of experiencing suspicion, helplessness, fear and humiliation, such questions dominate as: Who am I? Who am I to be? How am I to be? The author draws attention to the problem of the narrator’s internal dialogue, points to its value in the educational and humanistic context. He emphasizes how difficult but important, in the process of shaping identity, is the mediation of three areas of identity and the liberating oneself from the stigma of alienation experienced from all sides.
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