抗议

Andrea F. Bohlman
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引用次数: 0

摘要

成功的非暴力抗议是音乐政治的著名剧场;一个月的抗议活动导致了东部集团第一个独立工会团结联盟的合法化,情况也是如此。本章将带领读者了解声音媒体在协调现场工作以及向波兰和国外更广泛的公众讲述1980年8月罢工的力量方面所发挥的重要作用。对抗议现场的书面和录音记录显示了声音的协调力量和音乐在这场职业罢工中的娱乐价值。富有魅力的工人代表Lech Wałęsa在谈判桌上唱歌,将音乐带到了政治舞台。这一章还批评了音乐和抗议的浪漫概念,通过追溯反对派的抗议歌曲《墙》(1978年)的兴起,探讨了作者和代理的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Protest
Successful nonviolent protests are the celebrated theaters of musical politics; the same is true for the month of protests that brought about the legalization of the Solidarity Union, the first independent trade union in the Eastern bloc. This chapter takes the reader into the important role that sound media played both in coordinating efforts on the ground and in narrating the August 1980 strikes’ power to a broader public in Poland and abroad. Written and recorded accounts of the protest scenes show sound’s coordinating power and music’s entertainment value for this occupational strike. The charismatic workers’ representative Lech Wałęsa sang at the negotiating table, bringing music to the political stage. The chapter also critiques romantic notions of music and protest to dwell on questions of authorship and agency by tracing the rise of the opposition’s protest anthem, “Walls” (1978), by singer-songwriter Jacek Kaczmarski.
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