乌克兰波多利亚地区 19 世纪圣像的技术和图像特征

Marija Griniuk, Rūta Janonienė
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引用次数: 0

摘要

直到19世纪末,波多利亚地区(乌克兰)的19世纪民间图标才被艺术评论家认为具有历史价值。L. Popova、V. Svencickaya和V. Otkovich在80年代中期发表了第一批关于这一主题的文章。波多利亚地区的图标在技术上与同一时期其他地区的图标不同,因为波多利亚地区的图标画家是第一个开始使用画布的。这可能是受到西欧艺术家的影响,也可能是该地区缺乏木材工业的解决方案。绘画技法为油画。除了画布上的图标,还有一些在木头上。这些圣像按大小分为三大类:为教堂内部绘制的画布上的圣像,长140-170厘米,宽50-70厘米;放置在房屋内部的画布上的图标尺寸为52 x 82厘米;第三组是木制的图标- 35 x 26或40 x 30厘米。在风格上,波多利亚地区的圣像与其他地区的圣像在人物的脸和手的写实绘画上有所不同,尽管背景和衣服仍然保持装饰风格。颜色鲜艳但从不不和谐。最常见的背景色是深色。这些图标的风格基于民间传统。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ukrainos Podolės regiono XIX a. ikonų techniniai ir ikonografiniai ypatumai
19th century folk icons of Podolia region (Ukraine) were not taken into consideration by art critics as historically valuable until the late 19th century. The first articles devoted to this theme by L. Popova, V. Svencickaya and V. Otkovich appeared in the mid 80’s. Podolia region icons differ technically compared to icons of other regions of the same period, since painters of Podolia region icons were the first to start using canvas. This may have been influenced by Western European artists or may have been a solution of the lack of wood industry in the region. Painting technique is oil painting. Besides icons on canvas there are also a few on wood. The icons make up 3 main groups by size: icons on canvas which were painted for the interiors of churches are 140–170 cm long and narrow – 50–70 cm wide; icons on canvas which were placed in the interiors of houses are 52 x 82 cm; the third group is icons on wood – 35 x 26 or 40 x 30 cm. Stylistically Podolia region icons differ from icons of other regions in realistic painting of faces and hands of figures, although the background and clothes still remain in decorative style. The colours are bright but never dissonant. The most common colours of backgrounds are dark. The style of these icons is based on folk traditions.
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