{"title":"从随机数据生成人脸，关于“计算机如何想象人类”","authors":"J. M. Moura, Paulo Ferreira-Lopes","doi":"10.1145/3106548.3106605","DOIUrl":null,"url":null,"abstract":"In the recent years, face detection technologies have been widely used by artists to create digital art. Face detection provides new forms of interaction, and allows digital artefacts to detect the presence of human beings, through video capture and facial detection, in real-time. In this paper we explore the algorithm proposed by Paul Viola and Michael Jones, presented in 2001, in order to generate imagined faces from visual randomness.","PeriodicalId":141342,"journal":{"name":"Proceedings of the 8th International Conference on Digital Arts","volume":"45 3 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2017-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"6","resultStr":"{\"title\":\"Generative Face from Random Data, on 'How Computers Imagine Humans'\",\"authors\":\"J. M. Moura, Paulo Ferreira-Lopes\",\"doi\":\"10.1145/3106548.3106605\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the recent years, face detection technologies have been widely used by artists to create digital art. Face detection provides new forms of interaction, and allows digital artefacts to detect the presence of human beings, through video capture and facial detection, in real-time. In this paper we explore the algorithm proposed by Paul Viola and Michael Jones, presented in 2001, in order to generate imagined faces from visual randomness.\",\"PeriodicalId\":141342,\"journal\":{\"name\":\"Proceedings of the 8th International Conference on Digital Arts\",\"volume\":\"45 3 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-09-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"6\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of the 8th International Conference on Digital Arts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/3106548.3106605\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the 8th International Conference on Digital Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/3106548.3106605","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Generative Face from Random Data, on 'How Computers Imagine Humans'
In the recent years, face detection technologies have been widely used by artists to create digital art. Face detection provides new forms of interaction, and allows digital artefacts to detect the presence of human beings, through video capture and facial detection, in real-time. In this paper we explore the algorithm proposed by Paul Viola and Michael Jones, presented in 2001, in order to generate imagined faces from visual randomness.
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