{"title":"爬升的音乐","authors":"Jonathan L. Friedmann","doi":"10.1558/jfm.24722","DOIUrl":null,"url":null,"abstract":"This paper examines the influence of the “climbing motif” that scores the ascent of the Empire State Building in King Kong (1933). Similar rising chromatic lines occur in numerous later film and television sequences involving suspenseful climbs. The various iterations can be traced to Max Steiner’s landmark score, which has inspired generations of screen composers.","PeriodicalId":201559,"journal":{"name":"Journal of Film Music","volume":"28 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Music to Climb By\",\"authors\":\"Jonathan L. Friedmann\",\"doi\":\"10.1558/jfm.24722\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper examines the influence of the “climbing motif” that scores the ascent of the Empire State Building in King Kong (1933). Similar rising chromatic lines occur in numerous later film and television sequences involving suspenseful climbs. The various iterations can be traced to Max Steiner’s landmark score, which has inspired generations of screen composers.\",\"PeriodicalId\":201559,\"journal\":{\"name\":\"Journal of Film Music\",\"volume\":\"28 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Film Music\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1558/jfm.24722\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Film Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/jfm.24722","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This paper examines the influence of the “climbing motif” that scores the ascent of the Empire State Building in King Kong (1933). Similar rising chromatic lines occur in numerous later film and television sequences involving suspenseful climbs. The various iterations can be traced to Max Steiner’s landmark score, which has inspired generations of screen composers.
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