“埃米克是我们的,伊斯坦布尔是我们的”:通过城市行动主义重新构想电影院

Z. Yasar
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引用次数: 3

摘要

在新自由主义资本主义下,城市中历史电影院的消失在全球范围内屡见不鲜,这引发了关于观影空间与城市地理之间关系的关键问题。特别是,当地电影院的关闭或破坏往往突出了国家政府在实施城市更新计划时所追求的独特的社会文化设计。这篇文章认为公民行动是当地社区回应这类计划的有力手段,重点关注在土耳其伊斯坦布尔为保护现已流离失所的Emek电影院而发展起来的草根运动。通过分析2010年至2013年埃梅克的捍卫者动员起来反对剧院改造项目的话语和策略,本文认为,这场运动重建了一个电影展览空间及其周边社区,作为反对正义与发展党(AKP)政府威权控制的集体斗争的纽带。Emek作为公民政治诉求的一个出口,重新发挥了社会功能,展示了当地的关注如何在城市、国家和全球发展的背景下重新定义电影空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"Emek Is Ours, Istanbul Is Ours": Reimagining a Movie Theater through Urban Activism
abstract:The loss of historic movie theaters in cities, routinely seen across the globe under neoliberal capitalism, brings up critical questions concerning the relationship between spaces of moviegoing and urban geographies. In particular, the closing or destruction of local cinema halls often highlights distinct sociocultural designs that national governments aim for in implementing urban renewal programs. This article considers civic action as a powerful means by which local communities respond to such programs by focusing on a grassroots movement that developed in defense of the now-displaced Emek Movie Theater in Istanbul, Turkey. Through an analysis of the discourse and tactics that Emek's defenders mobilized from 2010 through 2013 to oppose the theater's renovation project, this article argues that the movement reconstructed a film exhibition space and its surrounding neighborhood as the nexus of a collective struggle against the AKP (Justice and Development Party) government's authoritarian control. Emek's renewed social function as an outlet for civic-political demands demonstrates how local concerns can resignify cinema spaces in light of urban, national, and global developments.
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