文学现代性与声音的解放

E. Sun
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引用次数: 0

摘要

第一章将文学宣言作为文学现代性的一种典范形式来探讨,19世纪和20世纪世界各地的作家都用它来宣布大胆的文学和美学的新概念。它主要关注珀西·比希·雪莱和鲁迅的作品,他们的批评技巧和广泛的博学使他们的作品成为文学影响和文化批评遗产的力量源泉。虽然这一章的重点是雪莱1821年的《为诗辩护》和鲁迅1908年的《论魔诗的力量》和《对恶毒声音的反驳》,但它也更广泛地提到了这些作家的其他作品,这些作品坚持并扩展了对前述文学宣言中诗歌声音的解放力量的关注。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Literary Modernity and the Emancipation of Voice
Chapter 1 approaches the literary manifesto as an exemplary form of literary modernity, which writers all over the world used in the nineteenth and twentieth centuries to declare bold new conceptions of literature and aesthetics. It focuses on texts by Percy Bysshe Shelley and Lu Xun, major writers whose critical sophistication and wide-ranging erudition have made their work sources of both literary influence and forces in ongoing legacies of cultural critique. While the chapter focuses on Shelley’s 1821 A Defence of Poetry and Lu Xun’s 1908 “On the Power of Mara Poetry” and “Toward a Refutation of Malevolent Voices,” it refers also more widely to other of these authors’ writings that sustain and extend the preoccupation with the emancipatory power of poetic voice found in the aforementioned literary manifestoes.
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