艺术和自然的错误

T. Porter
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引用次数: 0

摘要

本章分析了错误便利律。误差律的所有早期应用都可以用收敛于指数的二项式来理解,就像在亚伯拉罕·德·莫弗尔的原始推导中一样。除了约瑟夫·傅立叶的热定律(除了通过类比,它从未明确地与数学概率联系在一起)之外,其他所有定律都与概率的经典解释相容。正如概率是不确定性的度量,这个指数函数控制着出错的几率。它实际上并不是自然的属性,而只是人类无知的一种衡量标准——测量技术的不完善,或者从有限数量的现象推断其根本原因的不准确性。此外,与它结合使用的数学运算只有一个目的:将误差减小到尽可能小的范围内。随着阿道夫·奎特雷的出现,这一切都开始改变,一个更广泛的统计数学概念成为可能。当奎特雷在1844年宣布,天文学家的误差定律也适用于人类特征的分布,如身高和周长时,他所做的不仅仅是在这个概率函数的域中又增加了一组对象;他也开始打破它与错误的独家联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE ERRORS OF ART AND NATURE
This chapter analyzes the law of facility of errors. All the early applications of the error law could be understood in terms of a binomial converging to an exponential, as in Abrahan De Moivre's original derivation. All but Joseph Fourier's law of heat, which was never explicitly tied to mathematical probability except by analogy, were compatible with the classical interpretation of probability. Just as probability was a measure of uncertainty, this exponential function governed the chances of error. It was not really an attribute of nature, but only a measure of human ignorance—of the imperfection of measurement techniques or the inaccuracy of inference from phenomena that occur in finite numbers to their underlying causes. Moreover, the mathematical operations used in conjunction with it had a single purpose: to reduce the error to the narrowest bounds possible. With Adolphe Quetelet, all that began to change, and a wider conception of statistical mathematics became possible. When Quetelet announced in 1844 that the astronomer's error law applied also to the distribution of human features such as height and girth, he did more than add one more set of objects to the domain of this probability function; he also began to break down its exclusive association with error.
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