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引用次数: 0
摘要
在获奖电影制作人Catherine Gough-Brady和Christine Rogers的合作视频作品《橡树》(Oak Tree)中,树胶树探索了视听材料如何“拥抱世界的复杂性”,并“在其结构和制作过程中融入多种声音,在内容创作中一起“发出”(Aston and Odorico, 2018,第63页)。Aston和Odorico用这种复调的方式来探索纪录片作品与观众之间的关系。高夫-布雷迪和罗杰斯对这种方法如何应用于电影制作人和影像本身很感兴趣。图像是否可以被归为Bennett所说的“活力”(2010),并在如何将它们切割在一起方面具有代理?这其中有多少是电影人通过影像表达出来的?该作品入选2022年国际视觉社会学协会会议展览。作品引自aston, J和Odorico, S.(2018)。复调的诗学和政治:走向互动纪录片的研究方法,Aphaville第15期,夏季
In Oak Tree, gum tree, a collaborative video work by award-winning filmmakers Catherine Gough-Brady and Christine Rogers, explores the way that audio-visual material can “embrace the complexity of the world” and “incorporate, within their structures and production processes, multiple voices that “utter” together in the creation of content” (Aston and Odorico, 2018, p. 63). Aston and Odorico use this polyphonic approach as a way of exploring relationships between documentary works and audience. Gough-Brady and Rogers are interested in seeing how this approach can be applied between filmmakers and images themselves. Can images be ascribed what Bennett calls ‘vibrancy’ (2010) and have agency in how they are cut together? How much of this becomes an expression of the filmmaker through the images?
This work was selected for exhibition at the International Visual Sociology Association conference in 2022.
Works cited
Aston, J and Odorico, S. (2018). The Poetics and Politics of Polyphony: Towards a Research Method for Interactive Documentary, Aphaville issue 15, Summer