创新的深层起源(第二/三部分):新奇的模因

Bouke J.G. van der Kooij
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引用次数: 1

摘要

在探索了围绕创新创造的心理过程(第一部分)作为人类对环境变化的适应行为的一部分之后,在关于创新的深层起源的第二篇文章中,我们将重点放在通过文化复制转移新颖性上。将道金斯关于文化复制的模因概念与生物复制类比,人类在观察其环境时的心理过程及其随后的行动是我们关注的焦点。使用大脑和行为复杂现实的概念模型-生物信息处理器(BIP) -识别存在脑和认知脑的心理过程。然后,将通用模因概念细化为程序模因(p模因)和事实模因(f模因),它们是程序经验和事实经验文化复制的基本单位。此外,我们区分了在认知大脑中概念化思想的文化复制的i模因,以及艺术的a模因。艺术表现为人工制品的物质形式和精神构造的非物质形式。这篇工作论文是研究创新深层起源的三篇论文中的第二篇。它是基于案例研究“创新的发现,历史(R)演变的视角”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Deep Origins of Innovation (Part II/III): Memes of Novelty
After having explored the mental processes around creation of novelty (Part I) as part of human’s adaptive behaviour to environmental change, in this second article about the deep origins of innovation we focus on the transfer of novelty by cultural replication. Applying Dawkins’ meme-concept for cultural replication in an analogy with biological replication, human’s mental processes in relation to observing his environment, and his subsequent actions, are the focus of our attention. Using a conceptual model of the complex reality of brains and behaviour—the Biological Information Processor (BIP)—mental processes of the existential brain and cognitive brain are identified. Next, the generic meme-concept is refined in procedural memes (P-memes) and factual memes (F-memes), the basic units of the cultural replication of procedural and factual experiences. In addition, we distinguish the I-meme for the cultural replication of ideas conceptualized in the cognitive brain, as well as the A-meme for the arts. Arts expressed in the physical form of artefacts, and the non-physical form of mental constructs.

This working paper is the second of three papers into the Deep Origin of Innovation. It is based on the case study ’Discovery of Innovation, Historic (R)evolutions in Perpective.’

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