{"title":"费尔文·萨尔的非洲经济","authors":"Devin Bryson","doi":"10.1080/21674736.2022.2034099","DOIUrl":null,"url":null,"abstract":"Abstract Senegalese writer, scholar, and public intellectual Felwine Sarr has risen in international prominence over the last decade due to his contributions to a wide range of interdisciplinary, public projects of social engagement towards African global equity. This article considers these projects in light of Sarr’s disciplinary origins as an economist and his early transdisciplinary forays into literature. I argue that Sarr’s first three literary works – Dahij (2009), 105 rue Carnot (2011), and Méditations africaines (2012) – subtly interweave economic analysis with representations of African subjectivity and relationality. I show that Sarr’s early literary work critiques the existing global systems of values, symbols, and narratives that have always constructed Africa as a site of crisis, impoverishment, and exploitation. They then center intimate humanistic concerns as dissenting acts against global capitalist ideologies. This analysis shows Sarr’s literature to be emblematic of contemporary reconfigurations of African literary engagement.","PeriodicalId":116895,"journal":{"name":"Journal of the African Literature Association","volume":"19 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Afrotopic Economies of Felwine Sarr\",\"authors\":\"Devin Bryson\",\"doi\":\"10.1080/21674736.2022.2034099\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Senegalese writer, scholar, and public intellectual Felwine Sarr has risen in international prominence over the last decade due to his contributions to a wide range of interdisciplinary, public projects of social engagement towards African global equity. This article considers these projects in light of Sarr’s disciplinary origins as an economist and his early transdisciplinary forays into literature. I argue that Sarr’s first three literary works – Dahij (2009), 105 rue Carnot (2011), and Méditations africaines (2012) – subtly interweave economic analysis with representations of African subjectivity and relationality. I show that Sarr’s early literary work critiques the existing global systems of values, symbols, and narratives that have always constructed Africa as a site of crisis, impoverishment, and exploitation. They then center intimate humanistic concerns as dissenting acts against global capitalist ideologies. This analysis shows Sarr’s literature to be emblematic of contemporary reconfigurations of African literary engagement.\",\"PeriodicalId\":116895,\"journal\":{\"name\":\"Journal of the African Literature Association\",\"volume\":\"19 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of the African Literature Association\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/21674736.2022.2034099\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the African Literature Association","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/21674736.2022.2034099","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
塞内加尔作家、学者和公共知识分子费尔温·萨尔(Felwine Sarr)在过去十年中因其对非洲全球公平社会参与的广泛跨学科公共项目的贡献而在国际上崭露头角。本文根据萨尔作为经济学家的学科起源和他早期对文学的跨学科尝试来考虑这些项目。我认为萨尔的前三部文学作品——《Dahij》(2009年)、《105 rue Carnot》(2011年)和《msamdatitations africaines》(2012年)——巧妙地将经济分析与非洲主体性和关系的表现交织在一起。我指出,萨尔的早期文学作品批判了现有的全球价值观、符号和叙事体系,这些体系总是把非洲构建成一个充满危机、贫困和剥削的地方。然后,他们将亲密的人文关怀作为反对全球资本主义意识形态的不同行为。这一分析表明,萨尔的文学是当代非洲文学参与重组的象征。
Abstract Senegalese writer, scholar, and public intellectual Felwine Sarr has risen in international prominence over the last decade due to his contributions to a wide range of interdisciplinary, public projects of social engagement towards African global equity. This article considers these projects in light of Sarr’s disciplinary origins as an economist and his early transdisciplinary forays into literature. I argue that Sarr’s first three literary works – Dahij (2009), 105 rue Carnot (2011), and Méditations africaines (2012) – subtly interweave economic analysis with representations of African subjectivity and relationality. I show that Sarr’s early literary work critiques the existing global systems of values, symbols, and narratives that have always constructed Africa as a site of crisis, impoverishment, and exploitation. They then center intimate humanistic concerns as dissenting acts against global capitalist ideologies. This analysis shows Sarr’s literature to be emblematic of contemporary reconfigurations of African literary engagement.