{"title":"转换","authors":"Monique David-Ménard","doi":"10.4135/9781529714401.n103","DOIUrl":null,"url":null,"abstract":"Identifies, defines, and examines the distinction between absolute objective violence and absolute subjective violence in Balibar’s works. Considers whether either form of violence converts into a political disposition or ground.","PeriodicalId":221077,"journal":{"name":"Thinking with Balibar","volume":"20 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Conversion\",\"authors\":\"Monique David-Ménard\",\"doi\":\"10.4135/9781529714401.n103\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Identifies, defines, and examines the distinction between absolute objective violence and absolute subjective violence in Balibar’s works. Considers whether either form of violence converts into a political disposition or ground.\",\"PeriodicalId\":221077,\"journal\":{\"name\":\"Thinking with Balibar\",\"volume\":\"20 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-07-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Thinking with Balibar\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4135/9781529714401.n103\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Thinking with Balibar","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4135/9781529714401.n103","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Identifies, defines, and examines the distinction between absolute objective violence and absolute subjective violence in Balibar’s works. Considers whether either form of violence converts into a political disposition or ground.
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