印度农村的电子卡拉ok学习促进性别赋权

P. Arora
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引用次数: 1

摘要

一种民谣卡拉ok产品已被开发出来,以增加字幕媒体的使用,以提高识字率和技术的使用,特别是在印度农村的女孩中。这需要创作和大量流行的当地民歌,这些歌曲具有女孩感兴趣的社会和文化主题,并辅以屡获殊荣的同语言字幕功能。在本文中,主要目标是讨论这种新颖的技术内容对女孩的社会化,教育和行动主义的可能影响。根据在印度农村的私立和公立学校对该产品进行试点测试的初步结果,我认为该产品有可能通过印度农村的音乐文化和娱乐来提高女孩的识字率。我认为,通过将民歌与计算机联系起来,这种联系可以通过与技术的互动,以对印度农村女孩有意义的方式,为她们塑造、改变和(或)重新配置空间。因此,我提出了将“西方”性别和技术观点转移到农村地区的问题,正如在发展话语中理解的那样
本文章由计算机程序翻译,如有差异,请以英文原文为准。
E-Karaoke Learning for Gender Empowerment in Rural India
A folksongs karaoke product has been created to increase usage of subtitled media to enhance literacy and technology use, particularly among girls in rural India. This entails generating and proliferating popular local folksongs with social and cultural themes of interest to girls, accompanied by the award-winning Same Language Subtitling (SLS) feature. In this paper, the prime goal is to discuss possible implications of this novel technology content on girls' socialization, education, and activism. Based on initial findings from a pilot test of this product in schools, private and public in rural India, I propose that this product has the potential to raise literacy among girls through musical enculturation and entertainment in rural India. By linking folksongs to computers, I argue that this association can shape, transform and/or (re)configure spaces for/by girls in rural India through interaction with technology in ways meaningful to them. Thereby, I problematize the transposition of "western" perspectives of gender and technology onto the rural terrain as understood within a development discourse
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