鉴赏家:绘画的来源分析

L. David, Hélio Pedrini, Z. Dias, A. Rocha
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引用次数: 0

摘要

作者归属和匹配已经成为当前数字艺术存储库和社区的首要活动,它们寻求有效地对数量不断增长的数字化绘画进行分类和认证,这些绘画由自己的作者或爱好者以专业和休闲的捕获设置上传。在这项工作中,我们采用基于卷积网络的策略来识别和分类画家数字数据集上与艺术相关的数字文物。首先,我们提出在多任务设置中利用作者身份、风格和流派注释信息,其中通过多输出网络对绘画片段进行编码,在第二阶段,使用暹罗鉴别网络来解决作者身份匹配问题。其次,我们通过将Painter by Numbers挑战作为一个多标签问题,以更有效的方式组合可用的注释信息。实证结果显示,与仅使用作者标注训练的简单对应方案相比,两种多任务解决方案的类平衡精度和ROC AUC得分都有显著提高。此外,在多标签设置中观察到ROC AUC评分略有增加,表明这种简单的组合策略有利于训练收敛。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Connoisseur: Provenance Analysis in Paintings
Authorship attribution and matching have become paramount activities in current digital art repositories and communities, which seek to efficiently catalog and authenticate the ever-growing number of digitized paintings, uploaded in professional and casual capturing setups, by their own authors or enthusiasts alike. In this work, we employ convolutional network-based strategies to identify and classify art-related digital artifacts over the Painter by Numbers dataset. Firstly, we propose to exploit the authorship, style and genre annotated information in a multi-task setup, in which patches of paintings are encoded through a multiple outputs network and, in a second stage, used in an Siamese discriminating network to solve the authorship matching problem. Secondly, we combine the available annotated information in a more efficient manner, by posing the Painter by Numbers challenge as a multi-label problem. Empirical results show a substantial increase in class-balanced accuracy and ROC AUC score for both multi-task solutions, compared with their simpler counterparts trained using only authorship annotation. Furthermore, a slight increase in ROC AUC score is observed in the multi-label setup, indicating that this simple combination strategy is beneficial to training convergence.
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