媒介表演中的观众参与和游戏化设计:概念框架及其后新冠肺炎的理论意义

H. C. Suhr
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引用次数: 0

摘要

《人性:从生存到复兴》(“Dystopia to Utopia”)是一个参与式的生存游戏和视听表演作品,从视觉和声音两个领域描绘了人类从反乌托邦状态到乌托邦主义的转变。观众被邀请参与人类的互动生存游戏,并贡献他们的照片面部轮廓作为表演的视觉内容。本文通过反思与COVID-19大流行相关的反乌托邦概念,同时也反思这一事件的结果和挑战,探讨了设计观众参与和互动背后的理论框架。在此过程中,本研究展示了视觉转换的过程,描绘了通过观众参与和音乐表演从反乌托邦范式到乌托邦范式的过渡。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Designing Audience Participation and Gamification in Intermedia Performance: Conceptual Framework and Theoretical Implications Post COVID-19
“Humanity: From Survival to Revival” (“Dystopia to Utopia”) is a participatory survival game and audiovisual performance work that depicts the transformation of the dystopian state of humanity to utopianism in both the visual and sonic realms. Audience members are invited to participate in humanity's interactive survival games and to contribute their photographic facial outlines as visual content for the performance. This paper explores the theoretical framework behind designing audience participation and interaction by reflecting on the notion of dystopia as related to the COVID-19 pandemic, while also reflecting on this event's outcomes and challenges. In doing so, this study showcases the process of visual transformation, depicting the transition from dystopian to utopian paradigms via audience participation and musical performance.
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