心直口快

Bruno Levasseur, Imogen Long
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引用次数: 0

摘要

这篇文章考虑了最近法国纪录片是如何在巴黎一些最具象征意义的郊区表现男性气概的。爱丽丝·迪奥普的第六部电影《温柔的男人》(2016)将来自拉库尔纽夫、奥奈苏布瓦和蒙特勒伊的直男和同性恋者的证词搬上银幕,本文以这部电影为重点,探讨了纪录片形式如何为法国边缘地区的男人的爱情和关系体验提供了新的方式。通过对这位电影制作人的采访,本文认为,迪奥普以对话为基础的表演纪录片制作,将图像与声音分离,打破了观众的假设,挑战了关于男人和情感的文化陈腐观念。通过强调男性个人叙述的普遍特征,本文表明,迪奥普的电影将郊区从“他者”的边缘空间的刻板印象中解放出来,并提供了独特的叙事,表达了在21世纪法国广泛共鸣的男性气概的尖锐肖像。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Straight from the Heart
This article considers how recent French documentary filmmaking has engaged with the representation of masculinities in some of Paris's most emblematic banlieues. Focusing on Alice Diop's sixth film Vers la tendresse (2016), which brings to the screen testimonies of straight and gay men from La Courneuve, Aulnay-sous-Bois, and Montreuil, this article examines how the documentary form offers new ways to interrogate men's experiences of love and relationships in the French peripheries. Drawing on an interview with the filmmaker, this article argues that Diop's conversation-based performative documentary filmmaking, with its detaching of image from sound, destabilizes viewer assumptions and challenges cultural clichés about men and emotion. By emphasizing the universal characteristics of the men's personal accounts, this article suggests that Diop's film reclaims the banlieues from the stereotype of a marginal space of “otherness” and offers instead singular narratives, voicing poignant portraits of masculinities that resonate widely in twenty-first century France.
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