新罗晚期和高丽早期干漆佛像的制作工艺和起源研究

{"title":"新罗晚期和高丽早期干漆佛像的制作工艺和起源研究","authors":"E. Jeong","doi":"10.52799/jah.2018.12.34_35.7","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":338650,"journal":{"name":"Misulsa Yeongu : Journal of Art History","volume":"85 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Study of the Production Techniques and Origins of Late-Silla and Early-Goryeo Dry Lacquer Buddhist Statues\",\"authors\":\"E. Jeong\",\"doi\":\"10.52799/jah.2018.12.34_35.7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":338650,\"journal\":{\"name\":\"Misulsa Yeongu : Journal of Art History\",\"volume\":\"85 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Misulsa Yeongu : Journal of Art History\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.52799/jah.2018.12.34_35.7\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Misulsa Yeongu : Journal of Art History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52799/jah.2018.12.34_35.7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}