新的就是旧的

Alva Noë
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引用次数: 3

摘要

本章探讨了2011年针对鲍勃·迪伦和碧昂斯的剽窃指控。在这两种情况下,指控都是错误的。在我们这个时代,对剽窃的焦虑似乎有了一种新的紧迫性,在这个时代,思想、图像、思想和发明都很容易被简化为可以传输、复制和操纵的数据串,而成本和努力都很低。采样是我们现在用来指以新的方式组合和重新组合他人的文字、歌曲和动作,从而从旧的东西中创造出新的东西的做法。抽样并不是什么新鲜事,无论是在艺术中,还是在生活中。每当我们使用一个单词或短语时,我们都是在有意无意地模仿前人的语言手势。在没有直接欺骗意图的情况下,抄袭与此无关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
What’s New Is Old
This chapter explores the 2011 charges of plagiarism against Bob Dylan and Beyoncé. In both cases, the accusations are misguided. Anxieties about plagiarism can seem to have a new urgency in our era, in which ideas, images, thoughts, and inventions are so easily reduced to data strings that can be transmitted, reproduced, and manipulated with little cost and effort. Sampling is the word we now use to refer to the practices of assembling and recombining words, song, and movement of others in new ways to make something new out of something old. Sampling is nothing new, not in art, and not in life. Every time we use a word or phrase we are, wittingly or not, making a pastiche out of the linguistic gestures of those who came before us. In the absence of direct intention to deceive, plagiarism has nothing to do with this.
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