21世纪巴基斯坦军队形象的建构

Artur Makhlaiuk
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引用次数: 0

摘要

本文考察了21世纪巴基斯坦武装部队的形象。据透露,在21世纪,巴基斯坦的武装部队,特别是一个负责公共关系的特别单位(三军公共关系),正在积极努力建立必要的武装部队形象。我们看到,跨部门公共关系策略覆盖了大量的渠道(社交网络、杂志等)。这篇文章考察了历史背景和各种交流渠道:主要是社交网络中的存在(包括视频和文本格式)。考虑到1999年卡吉尔冲突和穆沙拉夫上台后的形象建构。在这些事件之后,一个积极的进程开始在媒体和ISPR材料中对武装部队的形象进行工作。据透露,录像材料主要是针对尽可能广泛的观众,也包括各族裔群体;与武装部队有关的各种问题(例如,反恐行动)。研究表明,形象塑造的两个主要方向可以区分开来:积极进取,即武装部队配备最先进的武器击败敌人;情感-武装部队重视和尊重为祖国献出生命的英雄。人们的情感参与占据了一个特殊的位置,因此,武装部队的形象被构建为保护祖国免受任何敌人侵害的力量,英雄士兵成为了全国人民热爱的对象。陆军参谋长的人格受到了极大的关注,他的形象与英雄士兵相似,可以被视为整个武装部队的形象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
CONSTRUCTING THE IMAGE OF THE PAKISTAN ARMED FORCES IN THE 21st CENTURY
This article examines the image of the armed forces of Pakistan in the XXI century. It was revealed that in the 21st century the armed forces of Pakistan and, in particular, a special unit (Inter-Services Public Relations), responsible for public relations, are actively working on constructing the necessary image of the Armed Forces. We see that the strategy of Inter-Services Public Relations covers a large number of channels (social networks, magazines, and so on). The article examines the historical context and various channels of communication: primarily the presence in social networks (both in video and in text format). The construction of the image after the conflict in Kargil in 1999 and the coming to power of P. Musharraf is considered. After these events, an active process was launched to work on the image of the armed forces both in the media and in the ISPR materials. It was revealed that the video materials are primarily aimed at the widest possible audience, also covering various ethnic groups; various problems related to the armed forces (for example, counter-terrorism operations). It is shown that two main directions of image construction can be distinguished: positive-aggressive, that is, armed forces equipped with the most advanced types of weapons that defeat the enemy; emotional – the armed forces value and honor the heroes who gave their lives for their homeland. A special place is occupied by the emotional involvement of the population, as a result of which the image of the armed forces is constructed as a force that protects the Motherland from any enemies, and the hero-soldier turns out to be the object of the nation's love. Much attention is paid to the personality of the Chief of the Army Staff, whose image, similar to the hero soldier, can be seen as the image of the armed forces as a whole.
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