电影《品贾尔》的符号学分析与电影中印度次大陆社会的多元文化主义

Hamza Hassan & Wajid Riaz
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引用次数: 0

摘要

当我们谈论“文化”时,任何社会或地理位置在任何时间点的真实写照就是我们所说的。印度-巴基斯坦次大陆是各种宗教派别、语言亚群、文化习俗和种族社区的家园。因此,印巴地区通常被认为是一个多元文化社会,整个印度次大陆都是建立在多样性应该得到庆祝的原则之上的。电影《品贾尔》是当今多元文化社会的代表,因为它展示了来自许多不同民族的人,展示了他们不同的文化。这部电影或书已作为主要来源的基本材料,是为这篇研究文章编译。研究人员得出的结论是,做这个数据分析的最好方法是利用符号学的皮尔斯模型。这样做是为了获得可信的结果,并找到存在于所讨论的具体文本和电影中的与多元文化有关的成分。研究报告的附录,可以在最后找到,将引导你到这个特定术语的确切残余,可以在被选中的电影中找到,并将以图片的形式提供给你。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Semiotic Analysis of film Pinjar in Relation to Multiculturalism in Indian Subcontinent's Society as Depicted in Films
A real portrayal of any society or geographic location at any point in time is what is meant when we talk about "culture." The Indo-Pakistani Subcontinent is home to a diverse collection of religious sects, linguistic subgroups, cultural practices, and ethnic communities. As a result of this, the Indo-Pak region is often referred to as having a multicultural society and the entire Indian Subcontinent is founded on the principle that diversity should be celebrated. The film Pinjar serves as a representation of today's multicultural society because it shows people from a number of different ethnic groups and demonstrates their various cultures. This film or book has served as the primary source for the fundamental material that was compiled for this research article. The researcher came to the conclusion that the best way to do this data analysis was to make use of the Pierce model of semiotics. This was done in order to acquire credible results and locate the multiculturalism-related components that were present in the specific text and film in question. The appendix of the research report, which can be found at the very end, will direct you to the precise remnants of this particular term that can be found in the film that was picked and will provide them to you in the form of pictures.
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