想象一下公爵夫人的感受

Ethan Mordden
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引用次数: 0

摘要

本章着眼于Noël懦夫的工作,并提出了他的音乐剧列表。细看榜单,我们会发现1929年的《苦甜》是唯一的经典之作。这更多是因为它的出色的乐谱,而不是它的功能书,它充满了势利的人对礼仪的大惊小怪。科沃德的音乐剧中最令人难忘的元素是歌曲,尤其是诙谐的歌词。本章认为,在伦敦西区戏剧界,除了w·s·吉尔伯特,没有人能与科沃德的歌词相媲美。具有讽刺意味的是,科沃德的音乐剧剧本中几乎没有什么机智,只有在歌词和一些讽刺小品中才能找到机智。科沃德的讽刺歌曲强调了他的音乐喜剧的一面,而他的故事在整体或部分上倾向于轻歌剧。这种讽刺可能是科沃德音乐文盲的结果:他作曲,但不会写任何东西。在他职业生涯的大部分时间里,他都雇佣秘书来帮助组织音乐。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Imagine the Duchess’ Feelings
This chapter looks at the work of Noël Coward, and presents a list of his musicals. Perusing the list, we can note that Bitter Sweet (1929) is the only classic. This is so more for its superb score than its functional book, which was full of snobby folk fussing over etiquette. The elements that are most memorable about Coward's musicals, are the songs, especially the witty lyrics. This chapter argues that no one in the world of the West End theatre besides W. S. Gilbert rivals Coward for his lyrics. Ironically, there is little wit in the scripts of Coward's musicals, the wit is to be found only in the lyrics and some of the revue sketches. Coward's revue songs emphasize his musical-comedy side, while his story shows tilt toward operetta in whole or part. This irony could be a result of Coward's musical illiteracy: he composed but could not write anything down. For most of his career, he used hired secretaries to help organize the music.
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