大屠杀教育中的情感——一位历史老师的叙述

Brenda Gouws
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引用次数: 2

摘要

情感是大屠杀教育的一个组成部分,向学习者灌输同理心是一种常用的教学工具,可以鼓励学习者与受害者建立联系。这是必要的,因为有大量受害者死于纳粹及其通敌者之手- - 600万犹太人和500万非犹太人。这些数字通常很难理解,而且可能会有一种倾向,把所有受害者的想法压成一个单一的单位,比如600万,而不是接受600万人的想法。为了帮助学习者更好地与犹太受害者和幸存者建立联系,经常讲述个人的个人故事,使大屠杀个人化。这是历史老师和博物馆教育者在学校和博物馆使用的工具。对历史教师来说,教授大屠杀并不是一种冷静、不连贯的经历。他们往往或多或少地亲自受到影响,他们的教学和对大屠杀的理解往往与他们的个人故事有关。本文以一位历史教师的故事为基础,她在讲授大屠杀时的个人故事塑造了她的大屠杀教学法和哲学。大屠杀被纳入南非学校9年级和11年级学生的国家历史课程。在定性的叙事探究框架内,本文讨论了南非有色人种历史教师弗洛伦斯的个人故事。和她的家人一样,她没有亲身经历过种族隔离的创伤,不像其他许多现任南非历史教师那样,她的家人也没有与第二次世界大战的欧洲有任何个人联系。弗洛伦斯只是借鉴了她作为一个在中下层家庭长大的年轻女孩的个人经历,形成了她自己的教学法,用来教授大屠杀,并在她的学习者中产生共鸣。为了做到这一点,她采用了一些技巧,比如在开始教授对她来说是可怕的、邪恶的事件之前,在教室里营造一种特定的情绪,并确保学习者不会轻视他们将要听到的内容。她的方法旨在灌输同理心,提高理解的深度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Emotions in holocaust education - the narrative of a history teacher
Emotion is an integral part of Holocaust education and inculcating empathy in learners is a well-used pedagogical tool to encourage learners to connect with the victims. This is necessary because of the vast number of victims who died at the hands of the Nazis and their collaborators – six million Jews and five million non-Jews. These numbers are generally difficult to comprehend and there can be a tendency to crush thoughts of all the victims together into a single unit, say, the six million, rather than embrace the thought of six million individuals. To help learners relate better to the Jewish victims and survivors, the personal stories of individuals are often told to personalise the Holocaust. This is a tool used in both schools and museums by history teachers and museum educators. Teaching the Holocaust is not a dispassionate, disconnected experience for history teachers. They are often personally affected whether to a greater or lesser degree, and both their teaching and understanding of the Holocaust are often linked to their personal stories. This article is based on the story of one history teacher, whose personal story shaped her Holocaust pedagogy and philosophy when she taught about the Holocaust. The Holocaust is included in the national history curriculum for Grade 9 and 11 learners in the South African school curriculum. Within a qualitative, narrative inquiry framework, the article discusses the personal story of Florence, a Coloured South African history teacher. Along with her family, she did not personally experience apartheid trauma, as many other current South African history teachers did, nor did her family have any personal connections to World War II Europe. Florence simply drew on her personal experiences as a young girl growing up in a lower middle-class family to formulate her own pedagogy with which to teach the Holocaust and engender empathy in her learners. She did this by including techniques such as visualisations to create a certain mood in the classroom before embarking on teaching what, to her, was a horrific, evil event, and to ensure that the learners did not take what they were going to hear lightly. Her methodology was devised to inculcate empathy and enhance depth of understanding.
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