翟永明《轻伤人,重伤城》中的女性气质

Wenzhu Li
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引用次数: 0

摘要

摘要:当代诗评家们急于接受翟永明在《夜意识》中对女性气质的否定态度,以建构一种女性主义诗学来对抗中国女性诗歌的所谓女性化传统。然而,翟隽后来承认,为了摆脱女性气质的感伤因素,她最终延续了女性特质。本文对翟隽诗歌和散文中的女性气质概念进行了仔细的重新评估。本文在《轻伤的人,重伤的城市》这首诗中揭示了翟隽从“女性”的角度改写过去,思考现在的努力,认为翟隽这种矛盾的介入不是对所谓女性传统的拒绝,而是对压迫的反抗。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Femininity in Zhai Yongming's "Lightly Injured People, Gravely Wounded City"
Abstract:Contemporary poetry critics have hastily accepted Zhai Yongming's negative attitude towards femininity in her essay "Night Consciousness" to build a feminist poetics against the so-called feminine tradition of Chinese women's poetry. However, Zhai confessed later that in order to shed the sentimental elements of femininity, she ended up perpetuating the feminine trait. This essay offers a careful reevaluation of the notion of femininity in Zhai's poetry and prose. Revealing Zhai's endeavor to rewrite the past and ponder the present from a "feminine" perspective in her poem "Lightly Injured People, Gravely Wounded City," this paper argues that Zhai's paradoxical intervention speaks not of her rejection of the so-called feminine tradition but her resistance to oppression.
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